Pearl Reference

Linn · Sondek LP12

Linn Majik LP12 Lingo

From $7,945

Signature technologiesThe Linn story

On demonstration in our Portland showroom

Linn · Sondek LP12

The Majik LP12 Lingo is Linn's Majik LP12 with one change: the Lingo power supply in place of the Majik internal supply. Everything else is the Majik as Linn builds it: the same hardwood plinth, steel top plate, Karousel bearing and platters as the Klimax LP12, the Majik aluminum sub-chassis, the Krane tonearm and the Adikt cartridge, open to every upgrade Linn has made for the deck since 1972.

Choose the wood, the plinth (smooth, fluted, or either in high gloss) and the cartridge (Adikt MM or Koil MC) above; the price updates for that version.

1972
the year the Sondek LP12 entered production; every current part fits every deck since
Lingo
external power supply with Radikal-derived speed management for the AC motor
−70 dB
rumble through the groove, Hi-Fi News lab (Majik LP12)
33⅓ / 45 rpm
switched electronically by the Lingo; no pulley adaptor
Options and pricing

Authorized Linn dealer · Delivery and installation by Pearl Audio · Trade-ins welcome

The story

A Sondek LP12 is a sub-chassis carrying the platter bearing and the tonearm, hung on three springs inside a hardwood plinth so that stylus and groove move together and the outside world does not. Linn has built it on that principle since 1972 and has changed it one part at a time, always keeping the new part compatible with every deck already made. The Majik LP12 is the specification Linn assembles from the entry point of that program, and the deck itself, the plinth, the steel top plate, the Karousel single-point bearing and the inner and outer platters, is identical to the one under a Klimax LP12. What differs is the set of parts bolted to it. On this deck the power supply is the Lingo, an external supply in its own enclosure that drives the 110 V synchronous AC motor with speed management derived from the Radikal and switches between 33⅓ and 45 rpm electronically; it replaces the Majik's internal supply and its pulley adaptor. The rest are Majik parts: the Majik sub-chassis, a sandwich of 1.5 mm aluminum sheet carrying Linn's five-layer laminated armboard; and the Solid Base, an aluminum board with fixed feet that closes the plinth.

The arm is Linn's Krane, which replaced the Majik arm in 2020. It is static-balanced, hand-assembled from aluminum and stainless steel, and built to Linn's own geometry of 229 mm effective length, 18 mm overhang and 24 degrees of offset, so that every Linn cartridge and every Linn sub-chassis lines up without adjustment. Its vertical bearing is polished tungsten on sapphire, the horizontal bearing a dual ceramic assembly, the anti-skate a magnetic mechanism with no thread or weight, and VTA is set against a laser-etched scale so the setting can be repeated. The cartridge is the Adikt, Linn's moving magnet: a Gyger II stylus on an aluminum cantilever delivering 6.5 mV into any 47 kΩ MM input, with a stylus assembly the owner can replace. The MC version substitutes the Koil, a 0.4 mV moving coil with a boron cantilever and nude Microlinear stylus that needs an MC input.

Hi-Fi News put the Majik LP12/Krane package through its laboratory in 2021 and measured speed within 0.22 percent of nominal, peak wow and flutter of 0.02 and 0.04 percent, rumble of −70 dB through the groove and arm-bearing friction below 10 mg with no perceptible play; the review found that the deck "makes music sound natural, unforced, easy and yet expressive and emotional." What Hi-Fi? tested the MC version in 2024 and called the presentation "fluid and wonderfully cohesive," while noting that it is not the most dynamic or rhythmically driven turntable at the price. Both reviews were of the standard Majik LP12 with its internal supply, and both make the same point from different angles: the Majik parts are modest, and the deck under them is not.

The MM version plugs into the phono input of almost any integrated amplifier, or the MM input of a Linn Selekt DSM. The MC version needs a moving-coil stage: the MC input of a Selekt or Klimax DSM, Linn's Uphorik, or the phono input of the Luxman, McIntosh and Audio Research integrated amplifiers we pair it with for listeners outside the Linn system. The Majik LP12 is also the deck that benefits most from a careful setup, because the suspension, the arm height and the cartridge alignment are all set from below and by hand; we do that on our bench before delivery and again whenever a part is changed.

What distinguishes the Majik from other turntables at its price is what can happen next. Because the deck is the same from Majik to Klimax, this one, with its Lingo already fitted, can take a Trampolin base, a Kore sub-chassis, an Arko arm or a Radikal in whatever order suits the owner, each fitted in an afternoon without replacing anything else. Choose the Majik LP12 Lingo to start with a Sondek whose motor drive is already at Selekt level and build the rest over the years; choose the Selekt LP12 if you want the Kore, Trampolin, Arko and Kendo from the first day as well; choose the Klimax LP12 when the turntable is to be the system's primary source and the finished article is wanted now.

Each technology below is explained in depth in the Linn technology library; the Linn story follows the company from the first Sondek LP12 in 1973 to Organik and Exakt.

Key technologies

  • Suspended sub-chassis. Three springs carry the bearing and the arm inside the plinth, isolating stylus and groove from the plinth and from the surface below. The deep dive.
  • Karousel bearing. Linn's third single-point bearing since 1972, with a stainless-steel housing and lock-nut fixing; fitted to every current LP12. The deep dive.
  • Lingo power supply. External supply with Radikal-derived speed management for the 110 V synchronous AC motor and electronic 33⅓ / 45 rpm switching. The deep dive.
  • Majik sub-chassis and laminated armboard. Sandwich-construction 1.5 mm aluminum sub-chassis with Linn's five-layer laminated armboard. The deep dive.
  • Krane tonearm. Static-balanced, tungsten-and-sapphire vertical bearing, dual ceramic horizontal bearing, laser-etched VTA scale and magnetic anti-skate. The deep dive.
  • Adikt cartridge. Moving magnet with Gyger II stylus and user-replaceable stylus assembly, 6.5 mV into any MM input.
  • Upgrade path. Same plinth, top plate, bearing and platters as the Klimax LP12, so every Linn upgrade fits this deck.

Finishes

  • Black Ash kiln-dried hardwood, smooth or fluted
  • Cherry kiln-dried hardwood, smooth or fluted
  • Oak kiln-dried hardwood, smooth or fluted
  • Rosenut kiln-dried hardwood, smooth or fluted
  • Walnut kiln-dried hardwood, smooth or fluted

All five woods are the same price, and we keep all five in stock in the smooth plinth. The fluted plinth, in the style of the original 1970s deck, and the high-gloss painted finish are Linn options chosen above and are made to order. The Bedrok densified-beech plinth is not a Majik option; it belongs to an à la carte build.

Specifications
Type Belt-drive turntable with three-point suspended sub-chassis; Majik specification with Lingo power supply
Speeds 33⅓ and 45 rpm, switched electronically by the Lingo
Motor and power supply 110 V synchronous AC motor; Lingo external power supply
Bearing Karousel single-point bearing
Sub-chassis and armboard Majik sandwich-construction aluminum sub-chassis (1.5 mm sheet); five-layer laminated armboard
Top plate and platters Steel top plate; inner and outer platter (common to every LP12)
Base board Solid Base, aluminum, fixed feet
Tonearm Krane, static-balanced: 229 mm effective length, 18 mm overhang, 24° offset; 10 g effective mass and under 10 mg bearing friction (Hi-Fi News measurements)
Cartridge Adikt moving magnet, 6.5 mV at 5 cm/s, 1.5–2.0 g (MM version); Koil moving coil, 0.4 mV, 2.0 g (MC version)
Phono stage Not included; MM input for the Adikt, MC input for the Koil
Measured performance Majik LP12 with internal supply: speed within 0.22%; peak wow 0.02%, flutter 0.04%; rumble −70 dB through the groove (Hi-Fi News lab report, 2021)
Plinth Kiln-dried hardwood in Black Ash, Cherry, Oak, Rosenut or Walnut; smooth or fluted; high-gloss paint optional
Dimensions (W × H × D) Deck 17.5 × 5.5 × 14.0 in (445 × 140 × 356 mm); Lingo in a separate enclosure
Weight Not published by Linn (Hi-Fi News measured the Majik LP12 at 10 kg / 22 lb)
Warranty 5 years parts and labor in the US and Canada, no registration required
Made in Glasgow, Scotland

Linn Majik LP12 product page and specifications

Configuration as supplied

Plinth finish Kiln-dried hardwood: Black Ash, Cherry, Oak, Rosenut or Walnut, same price; smooth, fluted or high gloss as chosen above
Top plate Steel top plate, common to every LP12
Sub-chassis and armboard Majik aluminum sub-chassis with five-layer laminated armboard
Bearing Karousel single-point bearing
Power supply and motor Lingo power supply, external; 110 V synchronous AC motor; 33⅓ and 45 rpm switched electronically
Tonearm Krane
Cartridge Adikt moving magnet in the MM version; Koil moving coil in the MC version
Phono stage None fitted; MM input required (MC input for the Koil version)
Base board Solid Base
Price $7,945 to $9,043 complete, depending on plinth and cartridge; see Options

Options

Linn supplies the Majik LP12 as a complete turntable in a box; we build the Majik LP12 Lingo from it by fitting the Lingo in place of the Majik power supply on our bench. Linn's three choices on the Majik all remain, and all three are the options above:

  • Wood: Black Ash, Cherry, Oak, Rosenut or Walnut, same price.
  • Plinth: smooth as standard; fluted, in the style of the original 1973 Sondek, for US$425 more; either in high-gloss paint, in a colour of your choosing, for US$468 more.
  • Cartridge: Adikt moving magnet (MM) or Koil moving coil (MC, US$200 more).
Majik LP12 Lingo MM $7,945
Majik LP12 Lingo MC $8,145
Majik LP12 Lingo MM Fluted $8,370
Majik LP12 Lingo MC Fluted $8,575
High gloss plinth, any version add $468

Prices are Linn's April 2026 US list for the Majik LP12 plus the Lingo ($2,505). If you would like anything else on the deck from the start, a Kore, an Arko, a Bedrok plinth, we build it for you part by part instead; ask us. Everything below can also be added later, one upgrade at a time.

Upgrade path

Every Sondek LP12 built since 1972 shares the same plinth geometry, so each part below bolts into any deck. Linn's own guidance is to prioritize upgrades source-first, and its components page gives the suggested order roughly as bearing, deck, power supply, sub-chassis, tonearm, cartridge, phono stage and base board. Prices are our current store prices for each part on its own; fitting is done in our workshop.

1 · Bearing Karousel $1,300
The one upgrade that applies to every LP12 regardless of specification: a stainless-steel housing and lock-nut make the union of platter, spindle, bearing and sub-chassis stiffer and stronger, so rotation is smoother and less vibration reaches the record.
2 · Deck and plinth LP12 plinth $1,155 · Bedrok $12,060
A new hardwood plinth renews the frame every other part mounts to; Bedrok, in densified beech more than twice the density of hardwood, is the only plinth Linn offers as a performance upgrade.
3 · Power supply and motor Lingo fitted to this deck · Radikal (Standard) $6,270 · Klimax Radikal $16,820
Speed accuracy and motor noise. Lingo adds Radikal-derived speed management and switched 45 rpm to the AC motor; Radikal replaces it with a brushed DC motor checked on every rotation and provides the power for a Urika phono stage.
4 · Sub-chassis and armboard Majik sub-chassis $591 · Kore $1,480 · Keel SE $6,215
Stiffness between bearing and arm. Kore bonds a machined armboard to a three-layer aluminum box; Keel SE machines sub-chassis and armboard from solid with underside bracing, which Linn quotes as 300 percent stiffer.
5 · Tonearm Krane $2,050 · Arko $4,965 · Ekos SE $6,725
Bearing friction, resonance control and tracking: the static-balanced Krane of the Majik LP12, the all-7075-aluminum gimballed Arko of the Selekt, and the hand-built titanium Ekos SE of the Klimax.
6 · Cartridge Adikt $923 · Koil $1,250 · Krystal $2,415 · Ekstatik $8,335
Resolution, tracking and the match to arm and phono stage; the Kendo moving coil fitted to the Selekt LP12 is available to order.
7 · Phono stage Uphorik $3,740 · Urika $4,290 · Urika II $4,630
Uphorik works with any turntable and preamplifier; Urika and Urika II mount inside the deck inches from the arm and require a Radikal.
8 · Base board Solid Base $247 · Trampolin $346
Trampolin's suspended, damped feet isolate the deck from the shelf; the Solid Base suits a rack that already isolates.

A Majik LP12 Lingo that takes on Kore, Trampolin, Arko and Kendo arrives at Selekt specification; add Klimax Radikal, Keel SE, Ekos SE, Ekstatik and a Urika and it is a Klimax LP12.

Where it sits in the range

Linn offers the Sondek LP12 in three complete specifications on the same deck, ordered by price; this deck sits between the first two.

  • Linn Majik LP12: Majik internal power supply, Krane arm and Adikt cartridge
  • Linn Majik LP12 Lingo (this model): the Majik LP12 with the Lingo power supply
  • Linn Selekt LP12: Lingo, Kore, Trampolin, Arko arm and Kendo cartridge
  • Linn Klimax LP12: Klimax Radikal, Keel SE, Ekos SE, Ekstatik and Urika II

In a Linn system the MM version plays into the MM input of a Selekt DSM; the MC version into its MC input or an Uphorik. Sibling decks share every part, so the Kore, Trampolin and Arko are the next steps toward the Selekt.

Reviews

Both reviews are of the standard Majik LP12 with its internal power supply: Hi-Fi News tested the MM package with the Adikt and Krane; What Hi-Fi? tested the MC version with the Koil.

Configure or upgrade with Pearl Audio

Pearl Audio has been a Linn dealer since 2006, and the Sondek LP12 is the turntable we sell more of than any other; we keep upgrading those customers' decks over the years. LP12 setup and upgrades are done in-house by John and Russ, our two LP12 technicians, each of whom has been building LP12s for more than a decade. We stock most parts for most LP12 upgrades for immediate installation, carry all of Linn's current standard plinth finishes, and keep five LP12s in different configurations on display in our Portland showroom.

We build and set up every Majik LP12 Lingo on our bench before delivery and can take it, step by step, toward Selekt and Klimax specification as your system grows. Read more in our Linn Sondek LP12 story.

Plan your Linn system with Pearl Audio

Pearl Audio is an authorized Linn dealer. We build, service and upgrade Sondek LP12s in our Portland workshop; ask us to arrange an audition of the Majik LP12 Lingo in our Portland showroom, or to plan the upgrade path for the LP12 you already own. Call (503) 222-2599 or email sales@pearlaudio.com.

Signature technologies

The engineering behind the Linn Majik LP12 Lingo

Linn gives its technologies names because each one solves a specific problem. Here is what each does, where it came from, why it matters in a system, and what you may hear.

The founding ideaSince 1973

The Sondek LP12 and source first

A belt-driven turntable on a three-point sprung sub-chassis, built around a patented single-point bearing and designed from the start to be upgraded: the oldest hi-fi component still in production, and the proof of Linn's rule that information lost at the source is lost forever. Read the deep diveClose

What it does

An AC synchronous motor, or a DC motor on Radikal decks, drives the inner platter through a flat belt. The platter, its bearing and the tonearm ride on a sub-chassis hung from three springs, isolated from the plinth and the motor, so vibration from the loudspeakers and the room has no easy path to the stylus. The bearing is a hardened point running on a thrust pad inside a precision bush, machined at the Tiefenbrun family's Castle Precision Engineering and patented in 1975. Every LP12 since 1973 shares that geometry, and every part around it has been redesigned at least once: the bearing twice, the sub-chassis four times, the power supply, the motor, the tonearms and the plinth. Linn's commitment is that any LP12 ever made can be brought to the current specification.

Why it matters in a system

Ivor Tiefenbrun's argument, made by taking the deck into shops and letting people listen, was that the source and not the loudspeaker decides what a system can do, because nothing downstream can recover what the stylus failed to read. It reordered how the industry spent its money, and it is why Pearl sets up the turntable first and builds the system around it. Our own page on the deck, The Linn Sondek LP12, tells the story part by part.

What you may hear

Pitch, timing and a lack of feedback that let a record sound like the musicians rather than the machine. David Price in StereoNET: the LP12's special sauce was its patented single-point bearing, and over fifty years the only way it could go was toward neutrality, and so it has. Herb Reichert in Stereophile found the current Klimax LP12 plowed through opera, Mahler and Brit-pop with unrivaled ease.

The third bearing in fifty yearsSince 2020

The Karousel bearing

Linn's 2020 single-point bearing: a reinforced thrust-pad housing, a stiffer base and a substantial lock-nut that make the joint between bearing, platter and sub-chassis the most rigid Linn has built. It fits, and improves, every LP12 ever made. Read the deep diveClose

What it does

Karousel keeps the LP12's single-point principle, a hardened spindle point turning on a thrust pad, and rebuilds everything around it. The thrust pad sits in a reinforced housing with a smaller, stiffer base; the stainless-steel housing is fastened to the sub-chassis with a large lock-nut rather than the old three-screw flange, so the bearing and the sub-chassis become one structure; and the tolerances of the bush and spindle are tighter than the Cirkus bearing of 1993 that it replaced. It is standard on every new LP12 since 2020 and a dealer-fitted upgrade for any older deck; it is not compatible with the Valhalla supply, and early outer platters may need replacing.

Why it matters in a system

The bearing is the one part every LP12 shares and the point through which every vibration must pass: the stiffer the union of platter, spindle, bearing and sub-chassis, the less the stylus is asked to read that is not in the groove. Linn said Karousel would improve every Sondek LP12 ever made, and it is the first upgrade we recommend to an owner of an older deck.

What you may hear

A quieter background, firmer bass and a steadier sense of pitch. Hi-Fi News measured through-bearing rumble at minus 68.5 dB and wow and flutter of 0.02 and 0.04 percent on a Majik deck with the Karousel fitted; Linn describes a more refined motion and greater stability.

Speed, motor and silenceSince 2009

Radikal and the Linn power supplies

From Valhalla in 1982 to the Klimax Radikal of 2025, Linn has treated the LP12's motor supply as the floor beneath pitch and timing. Radikal replaces the AC motor with a precious-metal DC motor in an isolated housing, checks the platter's speed every revolution, and now runs from a dual-rail Utopik supply that also powers the Urika phono stage. Read the deep diveClose

What it does

The Majik supply is a tidy internal board driving the standard synchronous motor at 33⅓; the Lingo, Linn's first external supply in 1990 and since 2018 built on Radikal's speed management, generates its own clean sine wave for the AC motor and adds 45 rpm at a button. Radikal, from 2009, changes the motor itself: a brushed DC motor with a moving-coil rotor, chosen for its low noise, in an acoustically isolated housing, with a tachometer that reads the platter and a controller that corrects it on every rotation. Radikal/2 of 2021 moved the control to an FPGA with persistent auto-calibration, quieter motor components and a six-layer power board, and Linn claimed the lowest noise floor of any LP12; the Klimax Radikal of 2025 runs from a dual-rail Utopik supply, one isolated rail for the motor controller and one for the Urika inside the deck, in a chassis machined from three solid aluminum sections.

Why it matters in a system

A belt-drive turntable's pitch stability and background silence are set by its motor and the electricity that feeds it, and the Radikal's separate rail for the phono stage keeps the quietest signal in the system away from the noisiest. It is the largest single step on the LP12 ladder after the sub-chassis, and it is the step that takes a deck from Selekt toward Klimax.

What you may hear

Pitch that holds through sustained piano, a blacker background and a more composed, unhurried sense of time. Chris Kelly in The Ear called Radikal a robust and extremely well engineered power supply and the Klimax LP12 perhaps the most refined LP12 yet built.

The platform on the springsSince 2006

Keel SE, Kore and the sub-chassis

The sub-chassis is the suspended platform that carries the bearing, platter and tonearm. Linn's Majik sub-chassis is a sandwich of aluminum, Kore bonds an aluminum sub-chassis to a machined armboard, and Keel SE machines sub-chassis, armboard and arm collar from one billet, three hundred percent stiffer than the original Keel. Read the deep diveClose

What it does

Keel, introduced in 2006, was the first one-piece LP12 sub-chassis: the sub-chassis, the armboard and the tonearm collar cut from a single piece of aluminum, so the bearing and the arm are held in one rigid structure on the springs. Kore, the middle step, bonds an aluminum sub-chassis to a machined-from-solid armboard. Keel SE of 2025 was redesigned with finite-element analysis: a bracing structure machined into its underside raises its stiffness about threefold and pushes its resonances higher and weaker, mass is added between the Karousel mount and the arm collar so the geometry cannot rock, and metal is removed under the armboard to balance the center of mass on the springs. It weighs 2.2 kg, is black-anodized and laser-etched, and is fitted by a dealer.

Why it matters in a system

Everything that reads the record rides on the sub-chassis. Its stiffness decides how cleanly the suspension isolates and how fixed the relationship between stylus and groove stays while the platter turns; Linn's note is that even a slight rocking between sub-chassis and armboard distorts tracking. It is the first of the big three upgrades on the ladder, after the bearing, and Russ fits it on our bench.

What you may hear

Tighter, better-defined bass, a cleaner midband and a more stable image. StereoNET, on a Selekt LP12 with Kore: never boomy or bright, with a cleaner, more neutral midband; What Hi-Fi? on the Klimax deck with Keel: a sound of huge scale and power.

Krane, Arko, Ekos SE; Adikt to EkstatikSince 1988

Tonearms and cartridges

Linn has machined its own tonearms since the Ekos of 1988 and specifies a cartridge for each: Krane with Adikt or Koil, Arko with Kendo, Ekos SE with Ekstatik, each pair designed to drain resonance through the sub-chassis as one system. Read the deep diveClose

What it does

The Ekos SE, from 2006, carries a titanium arm tube on a stainless-steel bearing housing and remains Linn's reference arm. The Arko of 2022 is an all-new gimballed arm machined throughout from cold-drawn 7075 aluminum with far fewer parts between headshell and housing, Linn's first new in-house arm in sixteen years. The Krane of 2020, standard on the Majik LP12, is a static-balanced arm on a tungsten-and-sapphire vertical bearing with twin ceramic horizontal bearings, hand-assembled, with an effective mass of ten grams. The cartridges climb in step: the Adikt moving magnet and the Koil moving coil for the Krane; the Krystal; the Kendo, derived from the Ekstatik with a nickel-coated 7075 body and aluminum-bronze inserts and designed for the Arko; and the Ekstatik, a seven-gram honeycomb body with a micro-ridge stylus on a sapphire cantilever, stiffer than boron, developed with EMT and voiced on the Ekos SE.

Why it matters in a system

An arm and cartridge are a mechanical system with the sub-chassis beneath them, and Linn tunes each pair as one. It is why the three complete decks sound like three steps of the same thing rather than three different turntables, and why we fit other makers' cartridges to an LP12 only after checking arm mass and compliance on our bench.

What you may hear

The Krane and Adikt are warm and forgiving; the Arko and Kendo are quick, open and precise, what StereoNET called a highly emotional performer with a cleaner, more neutral midband; the Ekos SE and Ekstatik give the quiet, deep background and low-level detail of the Klimax deck. Chris Kelly: an arm that holds its own against the very best, and an extraordinarily good moving-coil cartridge.

All Linn technologies and the company story

The Linn story

Source first since 1973: the Sondek LP12, the first network music player, and a family company in Glasgow that upgrades rather than replaces.

Founded 1973 in Castlemilk, Glasgow; at Waterfoot, Eaglesham, since 1987 by Ivor Tiefenbrun · linn.co.uk

Milestones

  1. 1973 Linn founded in Castlemilk, Glasgow Ivor Tiefenbrun, an engineer at his father's firm Castle Precision Engineering, builds a turntable to cure the feedback in his own system and founds Linn Products to make it. The Sondek LP12 is the first product.Linn Klimax LP12 Turntable
  2. 1974 Isobarik, and the first Aktiv system Linn's first loudspeaker, with its patented isobaric loading, and its first active-crossover system: the crossover moved before the amplifiers, an idea Exakt would complete digitally forty years later.
  3. 1979 Ittok, Kan and a cutting lathe The Ittok LVII tonearm and the Kan loudspeaker; a Scully lathe bought to cut better test records becomes the seed of Linn Records.
  4. 1982 Valhalla, and Linn Records The Valhalla power supply is Linn's first electronics; Linn Records is founded, with The Blue Nile's A Walk Across the Rooftops among its first releases in 1983.
  5. 1985 LK1 and LK2 Linn's first preamplifier and power amplifier make it a complete-system company; the Axis turntable follows.
  6. 1987 The Eaglesham factory Linn moves into a purpose-built factory at Waterfoot, Eaglesham, designed by Richard Rogers around Single Stage Build: one person builds each product from start to finish and signs it.
  7. 1988 Ekos, Akito and Lingo The Ekos of 1988 is the first tonearm designed and built in-house; the Akito follows in 1989 and the Lingo, the first external LP12 supply, in 1990.Linn LP12 Ekos SE Tonearm
  8. 1992 Karik, Cirkus and an MBE Linn's first CD player and Numerik DAC; Ivor Tiefenbrun is appointed MBE; the Cirkus bearing and sub-platter upgrade of 1993 reaches every LP12.
  9. 1998 Sondek CD12 and the Klimax range A CD player machined from a solid aluminum billet founds Linn's flagship tier; the Klimax Solo of 1999 is the first product to carry the Klimax name.
  10. 2002 Royal Warrant Linn receives the Royal Warrant from the Prince of Wales and builds in-car audio for Aston Martin; Ivor Tiefenbrun had been Scottish Entrepreneur of the Year in 2001.
  11. 2006 Ekos SE and Keel The titanium Ekos SE tonearm and the one-piece machined Keel sub-chassis mark the LP12's thirty-third year; Chakra amplification and the first integrated Aktiv loudspeaker had arrived in 2004 and 2005.Linn Keel SE Sub-Chassis and Armboard
  12. 2007 Klimax DS The first high-resolution network music player, developed under Gilad Tiefenbrun: studio-master files over Ethernet, no disc and no moving parts. Linn Records becomes the first label to sell studio-master downloads.Linn Klimax Organik DSM Streamer
  13. 2009 No more CD players; Radikal and Urika Linn announces it will build no more CD players and will concentrate on network players; the Radikal motor supply and the Urika phono stage arrive for the LP12; Gilad Tiefenbrun becomes Managing Director.Linn Radikal Power Supply and Motor - Akurate Enclosure
  14. 2012 Queen's Award for Enterprise The DS platform earns the Queen's Award for Innovation; Linn Records had been Gramophone's Label of the Year in 2010, and the DSM players with HDMI arrived in 2011.
  15. 2013 Exakt On its fortieth anniversary Linn launches Exakt in the Klimax 350: the crossover performed digitally inside the loudspeaker, with each drive unit corrected. A forty-unit anniversary LP12 is built with a Highland Park cask-oak plinth.Linn Klimax Exaktbox Organik DAC
  16. 2015 Space Optimisation Model-based room correction becomes a free update to every Linn player; the Series 5 Exakt loudspeakers follow the same year, and Katalyst, the fourth-generation DAC, in 2016.
  17. 2018 Selekt DSM, Urika II and a new Lingo The configurable Selekt DSM with its slots and cartridges; Urika II with its Exakt Link output and the Radikal-derived Lingo for the LP12's forty-fifth anniversary. Krane and Karousel follow in 2020.Linn Selekt DSM: Classic Hub
  18. 2021 Organik, Radikal/2 and Ekstatik The next-generation Klimax DSM with Linn's first all-in-house DAC; the Radikal/2 and Ekstatik for the LP12. In 2022 Arko, Kendo and Koil, the Selekt LP12 replacing the Akurate, and the Selekt DSM Edition Hub with Utopik.Linn Ekstatik Moving Coil Cartridge
  19. 2023 Fifty years: LP12-50 and the 360 The Sondek LP12-50 with Jony Ive's LoveFrom and the first Bedrok plinth; the 360 loudspeaker with Adaptive Bias Control; the Klimax Solo 800 in January 2024.Linn 360 Loudspeakers
  20. 2025 Bedrok, Klimax Radikal, Keel SE, Solo 500 The Bedrok plinth released to every LP12 in February; the Klimax Solo 500 in May; the Klimax Radikal and Keel SE in October. In 2026 Linn's first in-house drive units, with the Pistonik motor, go into the 360, and the 343 arrives.Linn LP12 Bedrok Plinth
Read the Linn story
Linn

In 1973 a young Glasgow engineer named Ivor Tiefenbrun bought an expensive hi-fi system and found it sounded worse than his parents'. Tracing the problem, he discovered that the loudspeakers' output was feeding back through the turntable and corrupting the signal before it ever reached the amplifier. The received wisdom said the turntable merely went round and the speakers were what mattered; Tiefenbrun concluded the opposite. Working at his father Jack's firm, Castle Precision Engineering, with help from its machinists, he built a belt-driven deck with a sprung sub-chassis and a patented single-point bearing, designed to resist feedback and to extract everything cut into the groove, and founded Linn Products in Castlemilk to make it. The Sondek LP12 was the company's first product. More than fifty years later it is still in production and still upgradeable to the current specification, the oldest hi-fi component still being made, and Linn's founding principle has never changed: information lost at the source is lost forever.

Tiefenbrun's method of persuasion was to take the deck into shops and let people hear for themselves, and the demonstration turned the industry's priorities upside down. Over the next fifteen years Linn extended source-first thinking to every link in the chain: the Isobarik loudspeaker and the first Aktiv active-crossover system in 1974, the Ittok tonearm and the Kan in 1979, the Valhalla supply in 1982, Linn's first electronics, the LK1 and LK2 amplifiers in 1985, and the Ekos, the first tonearm designed and built entirely in-house, in 1988. A cutting lathe bought to make better test records became Linn Records in 1982, whose first releases included The Blue Nile's A Walk Across the Rooftops and which Gramophone named Label of the Year in 2010. In 1987 Linn moved into a purpose-built factory at Waterfoot, Eaglesham, designed by Richard Rogers around Single Stage Build, in which one skilled person builds each product from start to finish and signs it. Ivor Tiefenbrun was appointed MBE in 1992.

Linn built its first CD player, the Karik, in 1992, and in 1998 the Sondek CD12, machined from a solid aluminum billet, founded the Klimax range; the Klimax Solo of 1999 was the first product to carry the name. The 2000s brought the Royal Warrant and in-car audio for Aston Martin, a factory expansion that nearly doubled the plant, Chakra amplification and the first fully integrated Aktiv loudspeaker, and the Ekos SE and machined Keel sub-chassis for the LP12 in 2006. Then Linn did something no high-end company had done. In 2007 the Klimax DS, developed under Ivor's son Gilad Tiefenbrun, played studio-master files at 24 bits and 192 kHz straight from a network, with no disc, no drive and no moving parts; Stereophile found it better than any CD player its reviewer had heard. In November 2009 Linn announced it would stop making CD players altogether, Gilad became Managing Director and Ivor Executive Chairman, and the decision, taken as the financial crisis squeezed the high end, was vindicated by the Queen's Award for Enterprise in Innovation in 2012 and by profit every year since.

Owning the digital path let Linn attack problems no analog component could reach. Exakt, in 2013, keeps the signal digital all the way into the loudspeaker, where a phase-linear crossover corrects each measured drive unit and aligns every part of every note in time. Space Optimisation, in 2015, a free update to every Linn player, builds an acoustic model of the listener's own speakers, their position and the room and removes the energy the room adds. Katalyst in 2016 put Linn in control of every input to the converter chip, and Organik in 2021, Linn's first wholly in-house converter, replaced the chip with an FPGA and a discrete conversion stage that The Absolute Sound placed among the best DACs at any price. Linn has made its own switch-mode power supplies since 1993, and the Utopik generation now sits under the Klimax DSM, the Selekt DSM, the Klimax Solo amplifiers and the LP12's Klimax Radikal. Every one of these is a retrofit; a 2007 Klimax DS takes an Organik board in twenty minutes. The LP12 kept pace: Radikal and Urika in 2009, Urika II in 2018, Karousel in 2020, Ekstatik in 2021, Arko and Kendo in 2022, Bedrok, Klimax Radikal and Keel SE in 2025.

Linn marked its fiftieth year in 2023 with the Sondek LP12-50, a 250-unit edition refined with Jony Ive's LoveFrom and the first appearance of the Bedrok plinth, and with the 360, a four-way Exakt loudspeaker that Gilad Tiefenbrun called the finest Linn had ever made and the debut of Adaptive Bias Control, which corrects the bias of every output transistor in real time for the life of the amplifier. That technology went into the Klimax Solo 800 of 2024 and Solo 500 of 2025; in 2026 the 360 received Linn's first drive units designed entirely in-house, with the Pistonik motor, and the 343 followed. Linn remains an independent family business with no outside shareholders, Ivor Tiefenbrun as Chairman and Gilad Tiefenbrun as Chief Executive, and every product is still built by one person in the Eaglesham factory who signs it. Quality and longevity, not planned obsolescence, is how Linn puts it, which is why an LP12 bought in 1973, or a Klimax DS bought in 2007, is brought up to date rather than replaced.

The complete Linn story and technology library

Linn at Pearl Audio

Pearl Audio has been a Linn dealer since 2006 and is a Linn Reference Level dealer. Five Sondek LP12s in different configurations are on the floor, from the Majik to the Klimax on Bedrok, and John and Russ, our two LP12 technicians, have each been building and setting up the deck for more than a decade; Russ is our LP12 expert and sets up several turntables a week. Connor and Russ are our Linn digital streaming experts: they configure the Selekt and Klimax DSM, set up Space Optimisation and Exakt in your room, and keep the Linn systems in the showroom current. Linn digital, from the Selekt DSM to the Klimax DSM, the Klimax Solo amplifiers and the 360, is on demonstration, and we stock most LP12 upgrade parts for immediate installation. Read the deck's story on our LP12 page.

The Pearl Audio experience

How we work with you

A system at this level should be heard, thoughtfully matched, and properly set up. From the first audition to long-term ownership, you work with the same people, in person.

  1. 01

    Listen first

    Hear the Majik LP12 Lingo by appointment in one of our two purpose-designed demonstration rooms, with your own music and time to compare without pressure.

  2. 02

    Delivery and installation

    We deliver and install throughout the Portland area, taking care of placement, connections, ventilation and system configuration ourselves.

  3. 03

    Support for as long as you own it

    We support everything we sell for as long as you own it, whether the answer comes by phone, in your home, or through factory service.

  4. 04

    A path for what comes next

    Trade-in assistance and qualifying 100% Trade-Up options give you flexibility when your listening priorities or your system change.

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