Pearl Reference

Linn · Sondek LP12

Linn Klimax LP12 Bedrok

$56,695

Signature technologiesThe Linn story

On demonstration in our Portland showroom

Linn · Sondek LP12

The Klimax LP12 Bedrok is the Klimax LP12 built on Linn's Bedrok plinth: the 2025 Klimax Radikal motor and Utopik supply, the Keel SE one-piece sub-chassis, the titanium Ekos SE tonearm, the Ekstatik moving coil and a Urika II phono stage, set in Linn's densified laminated beech plinth. It is every top-level part Linn makes for the Sondek, assembled and set up as a single instrument.

Price is for the complete Klimax LP12 as Linn specifies it for 2026, built on the Bedrok plinth, with Urika II (Exakt Link output). The analog Urika can be substituted; ask us for configured prices.

Bedrok
densified laminated beech, more than twice the density of the standard hardwood plinth
300 %
stiffer Keel SE than Linn's previous sub-chassis
< 20 mg
bearing friction, Ekos SE tonearm
0.45 mV
Ekstatik output at 3.54 cm/s; sapphire cantilever, micro-ridge stylus
Options and pricing

Authorized Linn dealer · Delivery and installation by Pearl Audio · Trade-ins welcome

The story

The Sondek LP12 has been in production since 1972 on the same suspended sub-chassis principle, and Linn's engineering since then has been a program of replacing one part at a time with something measurably better while keeping every new part compatible with every deck already built. The Klimax LP12 is the current end point of that program, and the Bedrok plinth is the last step on it. The motor system is the Klimax Radikal introduced in October 2025: a precious-metal brushed DC motor with a moving-coil rotor in an acoustically isolated housing, driven by an FPGA-managed control unit that checks platter speed on every rotation and corrects it, and powered by a Utopik supply whose two self-regulating rails serve the motor and the phono stage separately. The supply is machined from three solid aluminum blocks weighing close to 14 kg and stands on high-mass stainless-steel feet, so the only electronics outside the deck are as inert as the deck itself.

Inside the plinth, the Keel SE is a sub-chassis and armboard machined as one piece from solid aluminum with a bracing structure cut into its underside; Linn quotes a 300 percent increase in stiffness over its earlier Keel and a center of mass rebalanced across the three suspension springs, so the arm and platter bearing move as one body on the suspension rather than flexing against each other. The Karousel single-point bearing, standard on every current LP12, carries the inner platter; the Trampolin suspended aluminum base board closes the plinth and carries the Urika II. The plinth is the Bedrok, Linn's densified laminated beech plinth, more than twice the density of the standard hardwood plinth and the only plinth Linn offers as a performance upgrade: it is the frame every other part mounts to, and the denser and more inert it is, the less the plinth itself contributes to what the stylus reads.

The arm is the hand-built Ekos SE: a machined titanium arm tube, a stainless-steel bearing housing, bearings with less than 20 mg of friction, and temperature-compensated springs for downforce and anti-skate so that settings hold as the room changes. It carries the Ekstatik, Linn's flagship moving coil, introduced in 2021: a micro-ridge stylus on a sapphire cantilever, a square armature wound with 4N copper, and a body machined from 7075 aluminum in a honeycomb pattern, coated in diamond-like carbon and fitted with aluminum-bronze inserts, mounted at three points to the headshell. Output is 0.45 mV at 3.54 cm/s into a recommended 100 Ω load, at 2.0 g tracking force. From the cartridge the signal travels a few inches to the Urika II on the Trampolin, where it is digitized at once, equalized to RIAA in the digital domain with per-unit calibration, and sent losslessly over Exakt Link to a Klimax or Selekt DSM, which then applies volume, Space Optimisation and, with Exakt loudspeakers, the crossover. For a conventional preamplifier the analog Urika, with RCA and transformer-coupled XLR outputs, takes its place.

Reviewing the 2026 Klimax LP12 specification for The Ear in July 2026, Ed Selley found that congestion audible on a Selekt LP12 in the same system "vanishes like ice on a hotplate" and called the Klimax "a breathtakingly capable bit of kit," noting that some rivals at the price reach deeper in the bass and that the deck depends on partners of matching quality. Herb Reichert in Stereophile (June 2022, with the previous Radikal and the analog Urika) described tempo, focus and immediacy as "near-laboratory quality" and wrote that the Klimax preserved the structure of a Miles Davis recording "better than any turntable I've had the pleasure of hearing it on." Jonathan Gorse at SoundStage! Ultra (February 2025, also the previous Radikal) heard a deck "extremely articulate, incisive, and precise" with detail retrieval approaching the state of the art, and listed the practical points a buyer should know: the LP12 is sensitive to footfall on suspended wooden floors, setup is from below and is done by the dealer, and the analog Urika offers no gain or loading adjustment for non-Linn cartridges. All three reviews were of the Klimax LP12 on the standard hardwood plinth.

In a Linn system the Klimax LP12 Bedrok with Urika II joins a Klimax DSM or Selekt DSM over a single Exakt Link cable and plays through 360 or 343 Exakt Integrated loudspeakers or Klimax Solo monoblocks with no analog interconnect at all. With the analog Urika it feeds any preamplifier; we also pair Klimax LP12s with Burmester, Luxman and Audio Research electronics for listeners with non-Linn systems. We build, service and upgrade Sondek LP12s in-house, set the Urika II's gain and loading for the cartridge at installation, and can bring an existing LP12 of any age to this specification one component at a time: Karousel first, then Keel SE, Radikal, Ekos SE, Ekstatik, Urika and finally the Bedrok.

Linn offers the Sondek in three complete specifications on the same deck. The Majik LP12 is the entry point with Karousel, the Krane arm and an Adikt or Koil cartridge; the Selekt LP12 adds Lingo, Kore, Trampolin, the Arko arm and the Kendo cartridge; the Klimax LP12 is every reference-level part. Choose the Klimax LP12 on its hardwood plinth if you want the finished article in a traditional wood finish; choose the Klimax LP12 Bedrok if nothing is to be left on the upgrade path.

Each technology below is explained in depth in the Linn technology library; the Linn story follows the company from the first Sondek LP12 in 1973 to Organik and Exakt.

On demonstration at Pearl Audio: the Klimax LP12 Bedrok on our Portland showroom floor

Key technologies

  • Bedrok plinth. Densified laminated beech, more than twice the density of hardwood; Linn's only performance-upgrade plinth for the Sondek LP12.
  • Klimax Radikal (2025). Precious-metal brushed DC motor with moving-coil rotor in an isolated housing; FPGA-managed speed control checked every rotation; Utopik supply with separate self-regulating rails for motor and phono stage, machined from three solid aluminum blocks. The deep dive.
  • Keel SE. One-piece sub-chassis and armboard machined from solid aluminum with underside bracing; 300 percent stiffer than Linn's previous design, with a rebalanced center of mass. The deep dive.
  • Ekos SE. Hand-built tonearm with titanium arm tube, stainless-steel bearing housing, bearing friction under 20 mg and temperature-compensated downforce and anti-skate springs. The deep dive.
  • Ekstatik. Flagship moving coil: micro-ridge stylus on a sapphire cantilever, square 4N copper armature, honeycomb-machined 7075 aluminum body with diamond-like carbon coating and aluminum-bronze inserts, three-point mounting.
  • Urika II. Phono stage inside the plinth that digitizes at the cartridge, applies RIAA with per-unit calibration in the digital domain and outputs losslessly over Exakt Link; analog Urika available instead. The deep dive.
  • Karousel and Trampolin. Single-point platter bearing and suspended aluminum base board shared across the current LP12 range. The deep dive.

Finish

The Bedrok is made in a single finish, Linn's densified laminated beech; the hardwood finishes and the fluted plinth belong to the Klimax LP12.

Specifications
Type Belt-drive turntable with three-point suspended sub-chassis; 33⅓ and 45 rpm
Plinth Bedrok, densified laminated beech
Motor and power supply Klimax Radikal (2025): precious-metal brushed DC motor with moving-coil rotor, FPGA-managed speed control; Utopik supply with separate motor and phono rails
Bearing Karousel single-point bearing
Sub-chassis and armboard Keel SE, machined from solid aluminum
Top plate and platters Steel top plate; inner and outer platter (common to every LP12)
Base board Trampolin suspended aluminum base, integrated with the Urika II
Tonearm Ekos SE: titanium arm tube, stainless-steel bearing housing; 229 mm pivot-to-stylus, 18 mm overhang, 11.5 g effective mass, for 3 – 9 g cartridges
Cartridge Ekstatik moving coil: 0.45 mV at 3.54 cm/s; recommended load 100 Ω / 1 nF; 2.0 g tracking force; 7 g
Phono stage Urika II: digital RIAA, per-unit calibration, Exakt Link output (requires an Exakt-enabled Linn DS/DSM); or Urika with analog RCA and XLR outputs
Dimensions, deck Not published by Linn for the Bedrok; the standard LP12 deck is 17.5 × 5.5 × 14.0 in (445 × 140 × 356 mm)
Dimensions, Klimax Radikal (W × H × D) 13.8 × 3.5 × 13.9 in (350 × 88.5 × 352 mm); about 31 lb (14 kg)
Weight, deck Not published by Linn
Mains Auto-ranging, via the Klimax Radikal supply
Warranty 5 years parts and labor in the US and Canada, no registration required
Made in Glasgow, Scotland

Linn Klimax LP12 product page and specifications

Configuration as supplied

Plinth Bedrok, densified laminated beech
Top plate Steel top plate, common to every LP12
Sub-chassis and armboard Keel SE, machined from solid
Bearing Karousel single-point bearing
Power supply and motor Klimax Radikal (2025): brushed DC motor, FPGA control unit, Utopik two-rail supply; 33⅓ and 45 rpm
Tonearm Ekos SE
Cartridge Ekstatik
Phono stage Urika II inside the plinth, Exakt Link output; Urika with analog outputs to order
Base board Trampolin, integrated with the Urika II
Price $56,695 complete

Options

This product is a single version, the Klimax LP12 on the Bedrok; everything below is ordered through us.

  • Phono stage: Urika II with Exakt Link as supplied; the analog Urika with RCA and XLR outputs can be specified instead for a conventional preamplifier.
  • Cartridge: Ekstatik as supplied; the Kendo can be specified instead at a lower configured price.
  • Lid and accessories: ask us.

$56,695 is Linn's April 2026 US list for the Klimax LP12 ($45,970) plus the difference between the Sondek LP12 Bedrok ($13,970) and the standard Sondek LP12 deck ($3,245) in the same price list.

Upgrade path

This deck carries every top-level part Linn makes, so there is nothing left to upgrade; every part of it is also sold separately, so an existing LP12 can arrive at this specification over several years. Prices are our current store prices for each part on its own; fitting is done in our workshop.

1 · Bearing Karousel $1,300
2 · Plinth Bedrok $12,060
3 · Power supply and motor Klimax Radikal $16,820
4 · Sub-chassis and armboard Keel SE $6,215
5 · Tonearm Ekos SE $6,725
6 · Cartridge Ekstatik $8,335
7 · Phono stage Urika $4,290 · Urika II $4,630
8 · Base board Trampolin $346
Where it sits in the range

Linn offers the Sondek LP12 in three complete specifications on the same deck; ordered by price, the decks we build are:

  • Linn Majik LP12: Karousel, Majik power supply and sub-chassis, Krane arm, Adikt cartridge
  • Linn Majik LP12 Lingo: the Majik with the Lingo power supply
  • Linn Selekt LP12: Lingo, Kore, Trampolin, Arko arm and Kendo cartridge
  • Linn Klimax LP12: Klimax Radikal, Keel SE, Ekos SE, Ekstatik and Urika II on the hardwood plinth
  • Linn Klimax LP12 Bedrok (this model)

Urika II feeds a Klimax DSM or Selekt DSM over Exakt Link.

Reviews

All four reviews are of the Klimax LP12 on the standard hardwood plinth.

Configure or upgrade with Pearl Audio

Pearl Audio has been a Linn dealer since 2006, and the Sondek LP12 is the turntable we sell more of than any other; we keep upgrading those customers' decks over the years. LP12 setup and upgrades are done in-house by John and Russ, our two LP12 technicians, each of whom has been building LP12s for more than a decade. We stock most parts for most LP12 upgrades for immediate installation, carry all of Linn's current standard plinth finishes, and keep five LP12s in different configurations on display in our Portland showroom.

We build every Klimax LP12 Bedrok we sell on our own bench, set the Urika II for the Ekstatik at installation, and bring existing LP12s of any age to this specification one component at a time. Read more in our Linn Sondek LP12 story.

Plan your Linn system with Pearl Audio

Pearl Audio is an authorized Linn dealer. We build, service and upgrade Sondek LP12s in our Portland workshop; ask us to arrange an audition of the Klimax LP12 Bedrok in our Portland showroom, or to plan the upgrade path for the LP12 you already own. Call (503) 222-2599 or email sales@pearlaudio.com.

Signature technologies

The engineering behind the Linn Klimax LP12 Bedrok

Linn gives its technologies names because each one solves a specific problem. Here is what each does, where it came from, why it matters in a system, and what you may hear.

The founding ideaSince 1973

The Sondek LP12 and source first

A belt-driven turntable on a three-point sprung sub-chassis, built around a patented single-point bearing and designed from the start to be upgraded: the oldest hi-fi component still in production, and the proof of Linn's rule that information lost at the source is lost forever. Read the deep diveClose

What it does

An AC synchronous motor, or a DC motor on Radikal decks, drives the inner platter through a flat belt. The platter, its bearing and the tonearm ride on a sub-chassis hung from three springs, isolated from the plinth and the motor, so vibration from the loudspeakers and the room has no easy path to the stylus. The bearing is a hardened point running on a thrust pad inside a precision bush, machined at the Tiefenbrun family's Castle Precision Engineering and patented in 1975. Every LP12 since 1973 shares that geometry, and every part around it has been redesigned at least once: the bearing twice, the sub-chassis four times, the power supply, the motor, the tonearms and the plinth. Linn's commitment is that any LP12 ever made can be brought to the current specification.

Why it matters in a system

Ivor Tiefenbrun's argument, made by taking the deck into shops and letting people listen, was that the source and not the loudspeaker decides what a system can do, because nothing downstream can recover what the stylus failed to read. It reordered how the industry spent its money, and it is why Pearl sets up the turntable first and builds the system around it. Our own page on the deck, The Linn Sondek LP12, tells the story part by part.

What you may hear

Pitch, timing and a lack of feedback that let a record sound like the musicians rather than the machine. David Price in StereoNET: the LP12's special sauce was its patented single-point bearing, and over fifty years the only way it could go was toward neutrality, and so it has. Herb Reichert in Stereophile found the current Klimax LP12 plowed through opera, Mahler and Brit-pop with unrivaled ease.

The third bearing in fifty yearsSince 2020

The Karousel bearing

Linn's 2020 single-point bearing: a reinforced thrust-pad housing, a stiffer base and a substantial lock-nut that make the joint between bearing, platter and sub-chassis the most rigid Linn has built. It fits, and improves, every LP12 ever made. Read the deep diveClose

What it does

Karousel keeps the LP12's single-point principle, a hardened spindle point turning on a thrust pad, and rebuilds everything around it. The thrust pad sits in a reinforced housing with a smaller, stiffer base; the stainless-steel housing is fastened to the sub-chassis with a large lock-nut rather than the old three-screw flange, so the bearing and the sub-chassis become one structure; and the tolerances of the bush and spindle are tighter than the Cirkus bearing of 1993 that it replaced. It is standard on every new LP12 since 2020 and a dealer-fitted upgrade for any older deck; it is not compatible with the Valhalla supply, and early outer platters may need replacing.

Why it matters in a system

The bearing is the one part every LP12 shares and the point through which every vibration must pass: the stiffer the union of platter, spindle, bearing and sub-chassis, the less the stylus is asked to read that is not in the groove. Linn said Karousel would improve every Sondek LP12 ever made, and it is the first upgrade we recommend to an owner of an older deck.

What you may hear

A quieter background, firmer bass and a steadier sense of pitch. Hi-Fi News measured through-bearing rumble at minus 68.5 dB and wow and flutter of 0.02 and 0.04 percent on a Majik deck with the Karousel fitted; Linn describes a more refined motion and greater stability.

Speed, motor and silenceSince 2009

Radikal and the Linn power supplies

From Valhalla in 1982 to the Klimax Radikal of 2025, Linn has treated the LP12's motor supply as the floor beneath pitch and timing. Radikal replaces the AC motor with a precious-metal DC motor in an isolated housing, checks the platter's speed every revolution, and now runs from a dual-rail Utopik supply that also powers the Urika phono stage. Read the deep diveClose

What it does

The Majik supply is a tidy internal board driving the standard synchronous motor at 33⅓; the Lingo, Linn's first external supply in 1990 and since 2018 built on Radikal's speed management, generates its own clean sine wave for the AC motor and adds 45 rpm at a button. Radikal, from 2009, changes the motor itself: a brushed DC motor with a moving-coil rotor, chosen for its low noise, in an acoustically isolated housing, with a tachometer that reads the platter and a controller that corrects it on every rotation. Radikal/2 of 2021 moved the control to an FPGA with persistent auto-calibration, quieter motor components and a six-layer power board, and Linn claimed the lowest noise floor of any LP12; the Klimax Radikal of 2025 runs from a dual-rail Utopik supply, one isolated rail for the motor controller and one for the Urika inside the deck, in a chassis machined from three solid aluminum sections.

Why it matters in a system

A belt-drive turntable's pitch stability and background silence are set by its motor and the electricity that feeds it, and the Radikal's separate rail for the phono stage keeps the quietest signal in the system away from the noisiest. It is the largest single step on the LP12 ladder after the sub-chassis, and it is the step that takes a deck from Selekt toward Klimax.

What you may hear

Pitch that holds through sustained piano, a blacker background and a more composed, unhurried sense of time. Chris Kelly in The Ear called Radikal a robust and extremely well engineered power supply and the Klimax LP12 perhaps the most refined LP12 yet built.

The platform on the springsSince 2006

Keel SE, Kore and the sub-chassis

The sub-chassis is the suspended platform that carries the bearing, platter and tonearm. Linn's Majik sub-chassis is a sandwich of aluminum, Kore bonds an aluminum sub-chassis to a machined armboard, and Keel SE machines sub-chassis, armboard and arm collar from one billet, three hundred percent stiffer than the original Keel. Read the deep diveClose

What it does

Keel, introduced in 2006, was the first one-piece LP12 sub-chassis: the sub-chassis, the armboard and the tonearm collar cut from a single piece of aluminum, so the bearing and the arm are held in one rigid structure on the springs. Kore, the middle step, bonds an aluminum sub-chassis to a machined-from-solid armboard. Keel SE of 2025 was redesigned with finite-element analysis: a bracing structure machined into its underside raises its stiffness about threefold and pushes its resonances higher and weaker, mass is added between the Karousel mount and the arm collar so the geometry cannot rock, and metal is removed under the armboard to balance the center of mass on the springs. It weighs 2.2 kg, is black-anodized and laser-etched, and is fitted by a dealer.

Why it matters in a system

Everything that reads the record rides on the sub-chassis. Its stiffness decides how cleanly the suspension isolates and how fixed the relationship between stylus and groove stays while the platter turns; Linn's note is that even a slight rocking between sub-chassis and armboard distorts tracking. It is the first of the big three upgrades on the ladder, after the bearing, and Russ fits it on our bench.

What you may hear

Tighter, better-defined bass, a cleaner midband and a more stable image. StereoNET, on a Selekt LP12 with Kore: never boomy or bright, with a cleaner, more neutral midband; What Hi-Fi? on the Klimax deck with Keel: a sound of huge scale and power.

Krane, Arko, Ekos SE; Adikt to EkstatikSince 1988

Tonearms and cartridges

Linn has machined its own tonearms since the Ekos of 1988 and specifies a cartridge for each: Krane with Adikt or Koil, Arko with Kendo, Ekos SE with Ekstatik, each pair designed to drain resonance through the sub-chassis as one system. Read the deep diveClose

What it does

The Ekos SE, from 2006, carries a titanium arm tube on a stainless-steel bearing housing and remains Linn's reference arm. The Arko of 2022 is an all-new gimballed arm machined throughout from cold-drawn 7075 aluminum with far fewer parts between headshell and housing, Linn's first new in-house arm in sixteen years. The Krane of 2020, standard on the Majik LP12, is a static-balanced arm on a tungsten-and-sapphire vertical bearing with twin ceramic horizontal bearings, hand-assembled, with an effective mass of ten grams. The cartridges climb in step: the Adikt moving magnet and the Koil moving coil for the Krane; the Krystal; the Kendo, derived from the Ekstatik with a nickel-coated 7075 body and aluminum-bronze inserts and designed for the Arko; and the Ekstatik, a seven-gram honeycomb body with a micro-ridge stylus on a sapphire cantilever, stiffer than boron, developed with EMT and voiced on the Ekos SE.

Why it matters in a system

An arm and cartridge are a mechanical system with the sub-chassis beneath them, and Linn tunes each pair as one. It is why the three complete decks sound like three steps of the same thing rather than three different turntables, and why we fit other makers' cartridges to an LP12 only after checking arm mass and compliance on our bench.

What you may hear

The Krane and Adikt are warm and forgiving; the Arko and Kendo are quick, open and precise, what StereoNET called a highly emotional performer with a cleaner, more neutral midband; the Ekos SE and Ekstatik give the quiet, deep background and low-level detail of the Klimax deck. Chris Kelly: an arm that holds its own against the very best, and an extraordinarily good moving-coil cartridge.

The phono stage inside the deckSince 2009

Urika and Urika II

A moving-coil phono stage mounted on the LP12's Trampolin baseboard and powered by the Radikal, so the cartridge's signal is amplified inches from the arm. Urika II digitizes it there, finishes the RIAA curve in the digital domain and sends it to a Linn DSM over Exakt Link. Read the deep diveClose

What it does

Urika, from 2009, is a dual-mono moving-coil stage inside the plinth, fed by its own rail from the Radikal so the quietest signal in the system never travels down an interconnect. Urika II, announced for the LP12's forty-fifth anniversary in 2018, keeps the analog gain and the first RIAA pole, converts to digital, and performs the second pole and the rumble filter in software before sending the result over Exakt Link to a Linn DS or DSM; each unit is measured at the factory and set up by the dealer for the cartridge fitted. The Klimax DSM and Selekt DSM carry Exakt Link inputs for exactly this connection. The analog Urika I remains for owners with a conventional preamplifier.

Why it matters in a system

The shortest path from cartridge to gain, the quietest possible supply, and with Urika II a record that passes through Space Optimisation and Exakt like any other source, so the LP12 benefits from the room correction and the digital crossovers of a Linn system. It is the finishing piece of the Klimax LP12 and the reason a Linn vinyl front end can feed a Linn system with one cable.

What you may hear

Alan Sircom in hi-fi+ heard greater accuracy, more detail and an almost complete absence of noise, and judged that the detail, the timing and the atomic-clock precision win; a dealer shootout found the Klimax LP12 with Urika II the lowest noise floor of any vinyl setup it had tried.

Thirty years of in-house switch-mode suppliesSince 1993

Utopik and Linn's power supplies

Linn has designed its own audio-optimized switch-mode power supplies since Brilliant in 1993. Utopik, the current generation, uses valley switching, power-factor correction and precision-regulated isolated rails, and in the Klimax Solo amplifiers a soft-switching resonant stage that delivers two kilowatts. Read the deep diveClose

What it does

Brilliant of 1993 was Linn's first in-house switching supply; Dynamik of 2009 added dedicated internal mains filtering, lower radio-frequency emission, faster control loops and spread-spectrum switching, and powered a decade of Klimax and Akurate products. Utopik, which appeared in the Selekt DSM Edition Hub in 2022, compares output to input through several feedback loops at every stage, uses intelligent valley switching and power-factor correction, and delivers precision-regulated, isolated rails that hold steady as the mains wanders. In the Klimax Solo 500 and 800 a resonant tank circuit lets the voltage across the switch fall to zero before it is thrown, soft switching, at up to two kilowatts; in the Klimax Radikal a dual-rail Utopik feeds the motor controller and the Urika phono stage separately. It is standard in the Klimax DSM, Selekt DSM, Klimax Exaktbox and Solo amplifiers, and a retrofit for many earlier products.

Why it matters in a system

Every DAC, motor controller and amplifier stands on its power rails, and Linn's position is that filtering done inside the product beats a conditioner outside it. Utopik is one reason a current Selekt or Klimax outperforms the same product from a few years earlier, and it is a retrofit we can fit to older Selekt DSMs.

What you may hear

A lower noise floor and more composure under load. Chris Frankland in StereoNET heard from the Klimax Solo 800 an amazingly uncolored, hear-through sound with sledgehammer bass and seemingly endless reserves of power.

All Linn technologies and the company story

The Linn story

Source first since 1973: the Sondek LP12, the first network music player, and a family company in Glasgow that upgrades rather than replaces.

Founded 1973 in Castlemilk, Glasgow; at Waterfoot, Eaglesham, since 1987 by Ivor Tiefenbrun · linn.co.uk

Milestones

  1. 1973 Linn founded in Castlemilk, Glasgow Ivor Tiefenbrun, an engineer at his father's firm Castle Precision Engineering, builds a turntable to cure the feedback in his own system and founds Linn Products to make it. The Sondek LP12 is the first product.Linn Klimax LP12 Turntable
  2. 1974 Isobarik, and the first Aktiv system Linn's first loudspeaker, with its patented isobaric loading, and its first active-crossover system: the crossover moved before the amplifiers, an idea Exakt would complete digitally forty years later.
  3. 1979 Ittok, Kan and a cutting lathe The Ittok LVII tonearm and the Kan loudspeaker; a Scully lathe bought to cut better test records becomes the seed of Linn Records.
  4. 1982 Valhalla, and Linn Records The Valhalla power supply is Linn's first electronics; Linn Records is founded, with The Blue Nile's A Walk Across the Rooftops among its first releases in 1983.
  5. 1985 LK1 and LK2 Linn's first preamplifier and power amplifier make it a complete-system company; the Axis turntable follows.
  6. 1987 The Eaglesham factory Linn moves into a purpose-built factory at Waterfoot, Eaglesham, designed by Richard Rogers around Single Stage Build: one person builds each product from start to finish and signs it.
  7. 1988 Ekos, Akito and Lingo The Ekos of 1988 is the first tonearm designed and built in-house; the Akito follows in 1989 and the Lingo, the first external LP12 supply, in 1990.Linn LP12 Ekos SE Tonearm
  8. 1992 Karik, Cirkus and an MBE Linn's first CD player and Numerik DAC; Ivor Tiefenbrun is appointed MBE; the Cirkus bearing and sub-platter upgrade of 1993 reaches every LP12.
  9. 1998 Sondek CD12 and the Klimax range A CD player machined from a solid aluminum billet founds Linn's flagship tier; the Klimax Solo of 1999 is the first product to carry the Klimax name.
  10. 2002 Royal Warrant Linn receives the Royal Warrant from the Prince of Wales and builds in-car audio for Aston Martin; Ivor Tiefenbrun had been Scottish Entrepreneur of the Year in 2001.
  11. 2006 Ekos SE and Keel The titanium Ekos SE tonearm and the one-piece machined Keel sub-chassis mark the LP12's thirty-third year; Chakra amplification and the first integrated Aktiv loudspeaker had arrived in 2004 and 2005.Linn Keel SE Sub-Chassis and Armboard
  12. 2007 Klimax DS The first high-resolution network music player, developed under Gilad Tiefenbrun: studio-master files over Ethernet, no disc and no moving parts. Linn Records becomes the first label to sell studio-master downloads.Linn Klimax Organik DSM Streamer
  13. 2009 No more CD players; Radikal and Urika Linn announces it will build no more CD players and will concentrate on network players; the Radikal motor supply and the Urika phono stage arrive for the LP12; Gilad Tiefenbrun becomes Managing Director.Linn Radikal Power Supply and Motor - Akurate Enclosure
  14. 2012 Queen's Award for Enterprise The DS platform earns the Queen's Award for Innovation; Linn Records had been Gramophone's Label of the Year in 2010, and the DSM players with HDMI arrived in 2011.
  15. 2013 Exakt On its fortieth anniversary Linn launches Exakt in the Klimax 350: the crossover performed digitally inside the loudspeaker, with each drive unit corrected. A forty-unit anniversary LP12 is built with a Highland Park cask-oak plinth.Linn Klimax Exaktbox Organik DAC
  16. 2015 Space Optimisation Model-based room correction becomes a free update to every Linn player; the Series 5 Exakt loudspeakers follow the same year, and Katalyst, the fourth-generation DAC, in 2016.
  17. 2018 Selekt DSM, Urika II and a new Lingo The configurable Selekt DSM with its slots and cartridges; Urika II with its Exakt Link output and the Radikal-derived Lingo for the LP12's forty-fifth anniversary. Krane and Karousel follow in 2020.Linn Selekt DSM: Classic Hub
  18. 2021 Organik, Radikal/2 and Ekstatik The next-generation Klimax DSM with Linn's first all-in-house DAC; the Radikal/2 and Ekstatik for the LP12. In 2022 Arko, Kendo and Koil, the Selekt LP12 replacing the Akurate, and the Selekt DSM Edition Hub with Utopik.Linn Ekstatik Moving Coil Cartridge
  19. 2023 Fifty years: LP12-50 and the 360 The Sondek LP12-50 with Jony Ive's LoveFrom and the first Bedrok plinth; the 360 loudspeaker with Adaptive Bias Control; the Klimax Solo 800 in January 2024.Linn 360 Loudspeakers
  20. 2025 Bedrok, Klimax Radikal, Keel SE, Solo 500 The Bedrok plinth released to every LP12 in February; the Klimax Solo 500 in May; the Klimax Radikal and Keel SE in October. In 2026 Linn's first in-house drive units, with the Pistonik motor, go into the 360, and the 343 arrives.Linn LP12 Bedrok Plinth
Read the Linn story
Linn

In 1973 a young Glasgow engineer named Ivor Tiefenbrun bought an expensive hi-fi system and found it sounded worse than his parents'. Tracing the problem, he discovered that the loudspeakers' output was feeding back through the turntable and corrupting the signal before it ever reached the amplifier. The received wisdom said the turntable merely went round and the speakers were what mattered; Tiefenbrun concluded the opposite. Working at his father Jack's firm, Castle Precision Engineering, with help from its machinists, he built a belt-driven deck with a sprung sub-chassis and a patented single-point bearing, designed to resist feedback and to extract everything cut into the groove, and founded Linn Products in Castlemilk to make it. The Sondek LP12 was the company's first product. More than fifty years later it is still in production and still upgradeable to the current specification, the oldest hi-fi component still being made, and Linn's founding principle has never changed: information lost at the source is lost forever.

Tiefenbrun's method of persuasion was to take the deck into shops and let people hear for themselves, and the demonstration turned the industry's priorities upside down. Over the next fifteen years Linn extended source-first thinking to every link in the chain: the Isobarik loudspeaker and the first Aktiv active-crossover system in 1974, the Ittok tonearm and the Kan in 1979, the Valhalla supply in 1982, Linn's first electronics, the LK1 and LK2 amplifiers in 1985, and the Ekos, the first tonearm designed and built entirely in-house, in 1988. A cutting lathe bought to make better test records became Linn Records in 1982, whose first releases included The Blue Nile's A Walk Across the Rooftops and which Gramophone named Label of the Year in 2010. In 1987 Linn moved into a purpose-built factory at Waterfoot, Eaglesham, designed by Richard Rogers around Single Stage Build, in which one skilled person builds each product from start to finish and signs it. Ivor Tiefenbrun was appointed MBE in 1992.

Linn built its first CD player, the Karik, in 1992, and in 1998 the Sondek CD12, machined from a solid aluminum billet, founded the Klimax range; the Klimax Solo of 1999 was the first product to carry the name. The 2000s brought the Royal Warrant and in-car audio for Aston Martin, a factory expansion that nearly doubled the plant, Chakra amplification and the first fully integrated Aktiv loudspeaker, and the Ekos SE and machined Keel sub-chassis for the LP12 in 2006. Then Linn did something no high-end company had done. In 2007 the Klimax DS, developed under Ivor's son Gilad Tiefenbrun, played studio-master files at 24 bits and 192 kHz straight from a network, with no disc, no drive and no moving parts; Stereophile found it better than any CD player its reviewer had heard. In November 2009 Linn announced it would stop making CD players altogether, Gilad became Managing Director and Ivor Executive Chairman, and the decision, taken as the financial crisis squeezed the high end, was vindicated by the Queen's Award for Enterprise in Innovation in 2012 and by profit every year since.

Owning the digital path let Linn attack problems no analog component could reach. Exakt, in 2013, keeps the signal digital all the way into the loudspeaker, where a phase-linear crossover corrects each measured drive unit and aligns every part of every note in time. Space Optimisation, in 2015, a free update to every Linn player, builds an acoustic model of the listener's own speakers, their position and the room and removes the energy the room adds. Katalyst in 2016 put Linn in control of every input to the converter chip, and Organik in 2021, Linn's first wholly in-house converter, replaced the chip with an FPGA and a discrete conversion stage that The Absolute Sound placed among the best DACs at any price. Linn has made its own switch-mode power supplies since 1993, and the Utopik generation now sits under the Klimax DSM, the Selekt DSM, the Klimax Solo amplifiers and the LP12's Klimax Radikal. Every one of these is a retrofit; a 2007 Klimax DS takes an Organik board in twenty minutes. The LP12 kept pace: Radikal and Urika in 2009, Urika II in 2018, Karousel in 2020, Ekstatik in 2021, Arko and Kendo in 2022, Bedrok, Klimax Radikal and Keel SE in 2025.

Linn marked its fiftieth year in 2023 with the Sondek LP12-50, a 250-unit edition refined with Jony Ive's LoveFrom and the first appearance of the Bedrok plinth, and with the 360, a four-way Exakt loudspeaker that Gilad Tiefenbrun called the finest Linn had ever made and the debut of Adaptive Bias Control, which corrects the bias of every output transistor in real time for the life of the amplifier. That technology went into the Klimax Solo 800 of 2024 and Solo 500 of 2025; in 2026 the 360 received Linn's first drive units designed entirely in-house, with the Pistonik motor, and the 343 followed. Linn remains an independent family business with no outside shareholders, Ivor Tiefenbrun as Chairman and Gilad Tiefenbrun as Chief Executive, and every product is still built by one person in the Eaglesham factory who signs it. Quality and longevity, not planned obsolescence, is how Linn puts it, which is why an LP12 bought in 1973, or a Klimax DS bought in 2007, is brought up to date rather than replaced.

The complete Linn story and technology library

Linn at Pearl Audio

Pearl Audio has been a Linn dealer since 2006 and is a Linn Reference Level dealer. Five Sondek LP12s in different configurations are on the floor, from the Majik to the Klimax on Bedrok, and John and Russ, our two LP12 technicians, have each been building and setting up the deck for more than a decade; Russ is our LP12 expert and sets up several turntables a week. Connor and Russ are our Linn digital streaming experts: they configure the Selekt and Klimax DSM, set up Space Optimisation and Exakt in your room, and keep the Linn systems in the showroom current. Linn digital, from the Selekt DSM to the Klimax DSM, the Klimax Solo amplifiers and the 360, is on demonstration, and we stock most LP12 upgrade parts for immediate installation. Read the deck's story on our LP12 page.

The Pearl Audio experience

How we work with you

A system at this level should be heard, thoughtfully matched, and properly set up. From the first audition to long-term ownership, you work with the same people, in person.

  1. 01

    Listen first

    Hear the Klimax LP12 Bedrok by appointment in one of our two purpose-designed demonstration rooms, with your own music and time to compare without pressure.

  2. 02

    Delivery and installation

    We deliver and install throughout the Portland area, taking care of placement, connections, ventilation and system configuration ourselves.

  3. 03

    Support for as long as you own it

    We support everything we sell for as long as you own it, whether the answer comes by phone, in your home, or through factory service.

  4. 04

    A path for what comes next

    Trade-in assistance and qualifying 100% Trade-Up options give you flexibility when your listening priorities or your system change.

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