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Luxman · Phono amplifiers

Luxman E-07 Phono

$7,995

Signature technologiesThe Luxman story

On demonstration

On the floor at our Portland showroom. Ask and we will set it up for you to hear.

Luxman · Phono amplifiers

Luxman's flagship phono stage: a non-feedback RIAA circuit with four parallel FETs at the input, super permalloy MC step-up transformers, a balanced XLR input for moving-coil cartridges and balanced outputs.

Current production model, introduced 2025. Three inputs: one balanced XLR and two RCA.

±0.1 dB
RIAA accuracy, MM, 20 Hz – 20 kHz
38/57/66 dB
gain: MM, MC high, MC low
6 loads
MC: 4.7 Ω to 1 kΩ, front panel
29.1 lb
weight (13.2 kg)

Authorized Luxman dealer · Delivery and installation by Pearl Audio · Trade-ins welcome

The story

The E-07 is the phono amplifier Luxman designed to sit under the C-10X, and it takes the E-250's architecture to its conclusion. The RIAA equalizer uses no negative feedback; its first stage is four FETs in parallel for low noise, followed by hand-selected transistors, and it is laid out as an unbalanced circuit for simplicity. Moving-coil cartridges are handled not by extra gain stages but by step-up transformers, four of them, with newly developed super permalloy cores and independent high and low impedance windings for each channel. Gain is 38 dB for MM, 57 dB for high-output MC and 66 dB for low-output MC.

Loading is unusually complete. A six-position rotary on the front panel sets the MC load at 4.7, 10, 40, 100 or 300 Ω or 1 kΩ, so the owner can hear the effect in real time; MM impedance (34, 47, 56 or 100 kΩ) and capacitance are set by rear switches. One of the three inputs is a balanced XLR pair that takes the differential signal from a moving-coil cartridge directly, which improves separation and rejects noise picked up by the tonearm cable; the two RCA inputs serve a second deck or arm. Outputs are RCA and XLR, with a front-panel phase-invert switch for the balanced pair. An articulator demagnetizes the cartridge and the transformer cores using the record's own signal current, and there are mono and low-cut switches.

The power supply uses three O-I transformers, one per channel and one for the indicator and relay circuits, with large block capacitors. Ground is handled by what Luxman calls a petal-shaped grounding structure of radial plates, with a gold-plated brass ground post for each input plus a frame ground. Two stacked copper plates under the chassis add mass and shielding, the internal wiring is unplated OFC with spiral-wrap shielding, and the unit rests on density-gradient cast-iron feet. The chassis is 92 mm tall, matching the NT-07, and 440 mm wide like the rest of the line.

Herb Reichert reviewed the E-07 for Stereophile in February 2026 and wrote that it "presented each cartridge and vinyl disc in its best possible light". It is the phono stage for a C-10X system, or for an owner of an L-509Z who wants more flexibility than the built-in stage offers; the E-250 is the compact alternative with the same gain structure in a half-width box.

Luxman began in Osaka in June 1925 and built its reputation on the transformers it wound itself, from the OY output transformers of 1952 onward. The PZ-11 of 1962 was Japan's first germanium-transistor phono equalizer, and the E-07 of the centennial year is the latest in a line that still raises moving-coil signals through Luxman's own transformers. Read the Luxman story →

Key technologies

  • Non-feedback RIAA stage. Four parallel FETs at the input, selected transistors after, no global negative feedback.
  • Super permalloy step-up transformers. Four transformers with independent high and low impedance windings per channel.
  • Balanced MC input. An XLR input takes the differential cartridge signal directly for better separation and noise rejection.
  • Six-position MC loading. 4.7 Ω to 1 kΩ on a front-panel rotary; MM impedance and capacitance on rear switches.
  • Three O-I transformers. Independent left, right and control supplies, with a petal-shaped radial grounding structure.
  • Articulator. Demagnetizes the cartridge and transformer cores using the music signal current.

The E-07's natural partners are the PD-191A and the C-10X; the E-250 is the half-width alternative.

Specifications
Type Solid-state phono amplifier, non-feedback RIAA equalizer
Inputs 1 × balanced (XLR), 2 × unbalanced (RCA); MM 3.2 mV, MC high 0.37 mV, MC low 0.12 mV sensitivity
Gain MM 38 dB; MC high 57 dB; MC low 66 dB
Maximum input MM 120 mV; MC high 15 mV; MC low 5 mV
MC load 4.7 / 10 / 40 / 100 / 300 Ω / 1 kΩ (front panel)
MM load 34 / 47 / 56 / 100 kΩ; capacitance selectable (rear switches)
Outputs Unbalanced (RCA) 250 mV / 300 Ω; balanced (XLR) 250 mV / 600 Ω; phase invert
RIAA deviation MM 20 Hz – 20 kHz (±0.1 dB); MC 20 Hz – 20 kHz (±0.3 dB)
Total harmonic distortion 0.003%
Signal-to-noise ratio (IHF-A) MM 88 dB; MC high 81 dB; MC low 78 dB
Channel separation 80 dB or more
Functions Articulator (demagnetizer), low cut, mono, phase invert
Power supply 3 × O-I transformers; 13 W consumption
Dimensions (W × H × D) 440 × 92 × 407 mm (17.3 × 3.6 × 16.0 in), including knob and terminals
Weight 13.2 kg (29.1 lb)
Supplied Power cable

Luxman E-07 product page and specifications

Where it sits in the range

Luxman's flagship phono amplifier.

  • Luxman E-250: half-width MM/MC phono stage with step-up transformers, $2,995
  • Luxman E-07 (this model)

The matching turntable is the PD-191A; the matching preamplifier is the C-10X.

Reviews

Plan your Luxman system with Pearl Audio

Pearl Audio is an authorized Luxman dealer. We can set it up with your cartridge and tonearm and arrange an audition in our Portland showroom. Call (503) 222-2599 or email sales@pearlaudio.com.

Signature technologies

The engineering behind the Luxman E-07 Phono

Luxman gives its technologies names because each one solves a specific problem. Here is what each does, where it came from, why it matters in a system, and what you may hear.

The underslung chassis and PID speed controlSince 2011

Belt-drive turntables

Luxman returned to turntables in 2011 with the PD-171, 28 years after the PD-350. The PD-191A and PD-151 Mk II hang the motor and transformer beneath a thick aluminum top plate, drive a diamond-cut aluminum platter by belt from a brushless DC motor under PID control, and rate wow and flutter at 0.04 percent or less. Read the deep diveClose

What it does

Luxman built turntables through the 1970s and 1980s, the PD-300 of 1980 with its vacuum disc stabilizer among them, and then stopped; the PD-171 of 2011 revived the line 28 years after the PD-350. The PD-191A, launched in Japan in 2022 and in the US in April 2023, was designed to replace the long-running PD-171 series, and the PD-151 Mk II of December 2022 brought the same engineering to a smaller chassis. Both hang the motor and power transformer beneath a thick aluminum top plate on damping rubber, an underslung arrangement that keeps the vibration sources away from the platter and arm; the plate is 15 mm on the PD-191A and 10 mm on the PD-151 Mk II. A brushless DC motor is driven by sine-wave PWM under PID speed control referenced to a MEMS oscillator, at 33, 45 and 78 rpm with ±6 percent adjustment. A 16 mm stainless steel spindle turns on a PEEK thrust bearing inside a brass radial bearing, and the diamond-cut aluminum platter, 5.2 kg and 35 mm thick on the PD-191A and 4.0 kg on the PD-151 Mk II, is driven at its outer flange by an EPDM belt. The PD-191A has a rosewood-stained wood front and weighs 24.8 kg; the PD-151 Mk II weighs 15.8 kg.

Why it matters in a system

A belt-drive turntable's weaknesses are usually motor vibration reaching the platter and speed that wanders with load and temperature. Luxman addresses the first mechanically, by isolating the motor beneath the plate, and the second electronically, with a control loop that compares the motor's speed to a solid-state reference many times a second. The result is a belt drive with the speed stability usually associated with direct drive, in a chassis heavy enough to sit still.

What you may hear

Paul Seydor, in The Absolute Sound, found the PD-191A exceptionally clean, unperturbed, and quiet, with deep black backgrounds, and wrote that he could happily live with it the remainder of his days. It has been a TAS Editors' Choice for 2025, 2026 and 2027.

The housekeeping behind the soundSince 2017

Loop-less chassis, Beeline routing and peel-coat boards

Every Luxman amplifier shares a set of practices beneath the circuit: a chassis grounded so no loops form between panels, the shortest possible signal routing with curved traces, boards with the solder mask peeled from the signal area, oxygen-free copper wiring, oversized power supplies and cast-iron feet. They are built in Yokohama. Read the deep diveClose

What it does

Beneath the circuits, every Luxman amplifier and player shares a set of mechanical and electrical practices. The chassis is loop-less: panels and boards are grounded so that no ground loop forms between them, and the C-10X goes further with 100-micron gold-plated boards. Signal routing follows what Luxman calls the Beeline layout, the shortest path between stages, with curved rather than angled traces. On the L-507Z, L-509Z, L-100 and C-10X the printed boards are peel-coat types: the solder mask is removed from the signal area because, Luxman says, it can have a smearing effect on audio signals. Internal wiring is oxygen-free copper. Power supplies are oversized, with a 600 VA EI transformer and eight 10,000 µF capacitors in the L-509Z, a 1,250 VA transformer with flat copper windings in the M-10X, and a CI-core transformer in the C-10X. The units stand on density-gradient cast-iron insulator feet. Stereophile credited the L-509Z's design to three engineers: Masakazu Nagatsuma for its tonal qualities, Kunihiko Koki for the electronics and Takeharu Sato for the mechanicals. Luxman still manufactures in Yokohama, and each L-100 is built by hand by a team of four specialists.

Why it matters in a system

None of these details is a headline technology, and together they are much of why a Luxman sounds like a Luxman. Ground loops, long traces and resonant panels add noise and hash below the level of the specifications; removing them is what lets the low distortion of LIFES and the silence of LECUA reach the loudspeaker. It is also why the amplifiers weigh what they do: the L-509Z is 29.4 kg, the M-10X 48.4 kg.

What you may hear

Ken Micallef in Stereophile: the Luxman L-509Z never shouts, barks, or begs. Chris Kelly in Hi-Fi+ found its voicing perfectly judged, with incredible detail retrieval and no loss of musicality, and The Ear called it the yardstick by which future visiting amplifiers would be measured.

Moving coil through iron, not siliconSince 2008

Phono stages: super-permalloy transformers and the Articulator

Luxman's phono stages raise moving-coil signals through built-in step-up transformers with super-permalloy cores and begin with a paralleled-FET first stage. The E-250 is the half-width model; the E-07 of 2025 is the flagship, with four transformers, a front-panel load selector and balanced input and output. Both carry the Articulator, which demagnetizes the cartridge and transformers with the music signal. Read the deep diveClose

What it does

Luxman's solid-state phono stages amplify moving-coil cartridges through built-in step-up transformers with super-permalloy cores rather than active gain alone, and begin with a paralleled-FET first stage. The E-250, successor to the E-200 of 2008, is a half-width unit with 38 dB of gain for moving magnet and 57 and 66 dB for high- and low-output moving coil through a two-stage transformer, four MM load resistances and four capacitances, two inputs with the cartridge type set per input, a low-cut filter, a mono switch and RIAA accuracy of ±0.3 dB. The E-07 of February 2025 is the flagship: a non-feedback RIAA circuit with four parallel FETs, four super-permalloy transformers (left and right, high and low impedance), a six-position MC load selector on the front panel from 4.7 ohms to 1 kilohm, one balanced and two single-ended inputs, balanced and single-ended outputs with phase inversion, three power transformers, 3.6 mm copper base plates and a petal-shaped grounding structure Luxman calls PGS, at 13.2 kg. Both carry the Articulator, which demagnetizes the cartridge and transformers using the music signal itself. The L-509Z, L-507Z, L-505Z and L-100 integrateds have MM/MC stages built in, the L-509Z with two MC gain steps.

Why it matters in a system

A moving-coil cartridge delivers a few hundred microvolts, and the first stage that receives it sets the noise floor of the whole record-playing system. A transformer raises that signal with no active devices and no added noise before any amplification happens, which is why Luxman has stayed with the approach; the loading selector and per-input settings mean one phono stage can serve two turntables or two arms.

What you may hear

John Atkinson called the E-07 one of the best-measuring phono preamplifiers he had encountered, and Herb Reichert, in the same Stereophile review, an heirloom-quality product that should please the most discriminating phonophiles. Michael Fremer's advice at Tracking Angle: don't buy until you get a chance to hear the Luxman E-07.

All Luxman technologies and the company story

The Luxman story

Founded in Osaka in 1925 and built in Yokohama today: Class A, LIFES, LECUA and belt-drive turntables.

Founded 1925 in Osaka, Japan; headquartered and built in Yokohama, Kanagawa by T. Hayakawa and K. Yoshikawa · luxman.com

Milestones

  1. 1925 Founded in Osaka In June, the year radio broadcasting begins in Japan, T. Hayakawa and K. Yoshikawa start a radio department at the Kinsuido picture-frame store and incorporate it as Lux Corporation. The LUX-1730 and LUX-735 radios follow in 1928.
  2. 1958 MA-7A Luxman's first fully assembled post-war hi-fi power amplifier, a mono tube design with a patented NFB cross-over circuit, built on the OY output transformers developed in 1952.
  3. 1961 SQ-5A A vacuum-tube integrated with a center level meter and Luxman's own tone-control circuit. The company dates its unbroken run of tube amplifiers from it; the SQ-38 of 1964 follows.
  4. 1966 MQ-36 OTL An output-transformer-less tube power amplifier that stays in production until 1978. The MQ-60 of 1969 and CL-35 of 1970 are the models today's MQ-88uC and CL-38uC honor.
  5. 1975 Fiftieth anniversary: M-6000 A 300-watt stereo amplifier with the C-1000 preamplifier and T-110 tuner. The M-series amplifiers are designed by Tim de Paravicini; the Laboratory Reference Series follows in 1977.
  6. 1980 PD-300 A turntable with a vacuum disc stabilizer, a first for vacuum hold-down. Luxman stops building turntables after the PD-350 and does not return to them for 28 years.
  7. 1984 Alpine Electronics Alpine acquires the Luxman brand; Atsushi Miura leaves to found A&M and Air Tight in 1986. Co-badged products sold through mass retailers cost the brand its high-end dealers. Alpine sells in 1994.
  8. 1996 C-10 and B-10 Flagship separates that hold the top of the line for about ten years. The C-10's fixed-resistor Ultimate Attenuator is the ancestor of LECUA.Luxman C-10X Control Amplifier
  9. 1999 ODNF The CM-2100 car amplifier is the first product with Only Distortion Negative Feedback, which feeds back the distortion rather than the whole signal. Versions 2.4 (2006) and 4.0 (2013) follow.
  10. 2007 Eightieth anniversary; back in the US The B-1000f monoblocks (2005) and C-1000f control amplifier (2006) introduce LECUA1000 and ODNF 2.4. On a Higher Note returns Luxman to the United States after roughly two decades away.
  11. 2009 International Audio Group Luxman joins IAG, which keeps it separate from its other brands and leaves design and manufacturing in Kanagawa. The eleventh-generation SQ-38u launches the same year.
  12. 2011 PD-171 Turntable development resumes 28 years after the PD-350, with a belt-drive design that leads to the PD-151 (2019), the PD-191A and the PD-151 Mk II.Luxman PD-191A
  13. 2020 D-10X The world premiere of ROHM's MUS-IC BD34301EKV converter, run one per channel, with the LxDTM-i transport. The D-07X of 2023 uses the same chip and mechanism.Luxman D-07x SACD / DAC
  14. 2022 LIFES in the M-10X The successor to ODNF ships first in the flagship stereo power amplifier, then in the L-507Z, L-509Z, C-10X and L-505Z.Luxman M-10x Stereo Amplifier
  15. 2025 Centennial The E-07 phono stage, Black Edition CENTENNIAL models, the D-03R, and the L-100 and D-100 CENTENNIAL on LIFES 1.1. Rhythm Audio becomes the North American distributor in February; Luxman enters the Hi-Fi Hall of Fame in May.Luxman L-100 Class A Integrated
  16. 2026 Component of the Year Stereophile names the L-100 CENTENNIAL Joint Amplification Component of the Year and puts it on its October cover. The D-100 CENTENNIAL ships worldwide in April and the B-100 CENTENNIAL mono amplifier in September.Luxman D-100 SACD/DAC
Read the Luxman story
Luxman L-509Z integrated amplifier, front view

Luxman began in June 1925 as the radio-equipment department of Kinsuido, a painting and picture-frame dealer in Osaka, in the year radio broadcasting began in Japan. T. Hayakawa and his brother K. Yoshikawa incorporated the business as Lux Corporation; by the company's own account Kinsuido was the first in Japan to display and sell radio receivers in a store, and its radio manual, the first Japanese radio guidebook, ran to fourteen editions. The first products followed in 1928, the LUX-1730 and LUX-735 hi-fi radios sold with a magnetic-horn speaker, and in 1931 a magnetic pickup for the LUX-1730 electric phonograph. Through the 1930s the firm built its reputation on the parts it made itself, transformers and switches, and in 1952 it developed the OY-type output transformers that collectors still seek out and that Luxman's tube amplifiers carry in descendant form today.

The MA-7A of 1958, a mono vacuum-tube power amplifier with a patented NFB cross-over circuit, was Luxman's first fully assembled post-war hi-fi amplifier. The SQ-5A integrated of 1961, with its center-mounted level meter and Luxman's own tone-control circuit, was a hit, and the company dates its unbroken run of tube amplifiers from it. The SQ-65 of 1962 carried a motional-feedback patent, and the PZ-11 of the same year was Japan's first germanium-transistor phono equalizer. The SQ-38 of 1964 became a fixture of Japanese jazz cafés and began a series that reached its twelfth generation in the LX-380. The MQ-36 of 1966, an output-transformer-less tube amplifier, stayed in production until 1978; the SQ-505 and SQ-507 of 1968 preceded the 500 series; and the MQ-60 power amplifier of 1969 and CL-35 preamplifier of 1970 are the models the current MQ-88uC and CL-38uC are built to honor. By The Absolute Sound's account Luxman was the only major Japanese manufacturer still producing tube amplifiers through the 1970s and 1980s.

LUX Kit, a do-it-yourself brand, sold about seventy products between 1971 and 1980. For the fiftieth anniversary in 1975 Luxman introduced the 300-watt M-6000 stereo amplifier, the C-1000 preamplifier and the T-110 tuner; the M-3000, M-4000 and M-6000 were designed by Tim de Paravicini, whom Luxman employed for amplifier design. The Laboratory Reference Series of 1977 included a DC amplifier, and the PD-300 turntable of 1980 held the record down with a vacuum, a first. Atsushi Miura, who had married the eldest daughter of co-founder Yoshikawa and joined the company in 1956, was running it by the early 1980s. In 1984 Alpine Electronics acquired the Luxman brand; Miura and designer Masami Ishiguro founded A&M Limited in 1986, creating Air Tight. Under Alpine the products were co-badged Alpine/Luxman and sold through mass retailers such as Costco in the US; Stereophile later wrote that high-end dealers dropped the line because of the confusion, and Hi-Fi News that the fit was never an easy one. The engineering went on: the Fluency DA-07 converter and DP-07 transport of 1987, built on a University of Tsukuba professor's function-complementation theory, and the top-loading D-500X CD player of 1990 with a Philips CDM-3 mechanism.

Alpine sold the brand in 1994. The ownership that followed is not well documented, and the present Luxman Corporation was formed from the old Lux Corporation around 2000; what the company built in those years is clearer. The SQ-38s marked the seventieth anniversary in 1995. The C-10 preamplifier and B-10 power amplifier of 1996 remained the flagships for about ten years, and the C-10's Ultimate Attenuator, a fixed-resistor volume control, is the ancestor of LECUA. In 1999 the CM-2100 car amplifier became the first product with ODNF, the feedback circuit that fed back only the distortion. The DU-10 universal SACD player arrived in 2001, and the CL-88 and MQ-88 of 2004 were the first tube separates in eleven years. For the eightieth anniversary the B-1000f monoblocks of 2005, more than thirteen years in development, and the C-1000f control amplifier of 2006, at ¥2,100,000, introduced LECUA1000 and ODNF 2.4. In 2007 Philip O'Hanlon's On a Higher Note brought Luxman back to the United States after roughly two decades away, with the C-1000f at $30,000 and the B-1000f at $48,000 each; what struck O'Hanlon was that the technology really did trickle down to more realistically priced models.

In 2009 Luxman became part of the International Audio Group, which kept it separate from its British brands, Quad and Wharfedale among them, and left design and manufacturing in Kanagawa. The SQ-38u, eleventh of its line, launched the same year. The PD-171 of 2011 revived turntable development 28 years after the PD-350; the P-700u headphone amplifier followed in 2012, and the C-900u and M-900u of 2013, at ¥1,155,000 each, brought ODNF 4.0 and New LECUA1000. The MQ-300 of 2015, with two Japanese-made 300B tubes, marked the ninetieth anniversary. The X generation renewed the integrateds, the L-505uXII and L-507uXII in November 2017 and the L-509X in January 2018, and the CL-38uC and MQ-88uC tube separates of April 2018 reproduced the OY15 output transformers in their original shape. The PD-151 turntable arrived in February 2019 and the CL-1000 tube preamplifier in January 2020. In July 2020 the D-10X gave the world premiere of ROHM's MUS-IC BD34301EKV converter, run as a pair in dual mono, and the same year the L-595A LIMITED reissued the 1990s L-570 Class A design in 300 units each for Japan and overseas.

LIFES, the successor to ODNF, shipped first in the M-10X power amplifier, announced in the US in January 2022 at $19,995, then in the L-507Z of August 2022, the L-509Z that December, and the C-10X of November 2023, the first new flagship preamplifier in ten years. The D-07X SACD player arrived in February 2023 and the PD-191A turntable, with the SAEC-developed LTA-710 arm, reached the US that April; the NT-07 network transport and L-505Z followed in 2024. The centennial year of 2025 brought the E-07 phono stage, Black Edition CENTENNIAL versions of four models, the D-03R, and the L-100 and D-100 CENTENNIAL, the first pure Class A integrated and the first disc player built on LIFES 1.1. In February 2025 Rhythm Audio of Upland, California took over distribution for the United States and Canada, and in May Luxman was inducted into the Hi-Fi Hall of Fame. The B-100 CENTENNIAL mono amplifier followed in September 2026, and in October Stereophile put the L-100 on its cover and named it Joint Amplification Component of the Year. Luxman is headquartered and still manufactures in Yokohama under president Tatsuya Sueyoshi, and each L-100 is built by hand by a team of four.

The complete Luxman story and technology library

Luxman at Pearl Audio

Pearl Audio is an authorized Luxman dealer in Portland. We carry the full line, from the L-505Z, L-507Z, L-509Z and L-100 CENTENNIAL integrateds and the C-10X and M-10X separates to the PD-151 Mk II and PD-191A turntables, the E-250 and E-07 phono stages, the D-03R, D-07X and D-100 CENTENNIAL players and the NT-07 network transport. We match Luxman amplification to loudspeakers in our rooms and yours, set up the turntables and arms, fit and align cartridges, and configure the D-series players and NT-07 as a system. Delivery and in-home setup are part of how we sell Luxman, and service runs through Rhythm Audio, Luxman's distributor for the United States and Canada.

The Pearl Audio experience

How we work with you

A system at this level should be heard, thoughtfully matched, and properly set up. From the first audition to long-term ownership, you work with the same people, in person.

  1. 01

    Listen first

    Hear the E-07 Phono by appointment in one of our two purpose-designed demonstration rooms, with your own music and time to compare without pressure.

  2. 02

    Delivery and installation

    We deliver and install throughout the Portland area, taking care of placement, connections, ventilation and system configuration ourselves.

  3. 03

    Support for as long as you own it

    We support everything we sell for as long as you own it, whether the answer comes by phone, in your home, or through factory service.

  4. 04

    A path for what comes next

    Trade-in assistance and qualifying 100% Trade-Up options give you flexibility when your listening priorities or your system change.

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