Luxman · Z Series integrated

Luxman L-507z Integrated Amplifier

$10,495

Signature technologiesThe Luxman story

On demonstration in our Portland showroom

Luxman · Z Series integrated

The L-507Z brings Luxman's LIFES 1.0 feedback engine, LECUA1000 attenuator and MM/MC phono stage to a 110 W Class AB integrated amplifier.

Current production model. Supplied with the RA-17A aluminum remote.

110 W
per channel into 8 Ω (220 W into 4 Ω)
300
damping factor
105 dB
line signal-to-noise (IHF-A)
56 lb
weight (25.4 kg)

Authorized Luxman dealer · Delivery and installation by Pearl Audio · Trade-ins welcome

The story

The L-507Z replaced the L-507uXII in 2022 and was the first Luxman amplifier to carry LIFES 1.0, the feedback engine that has since spread across the range. The principle is the same as the ODNF circuit it replaces: the amplifier compares its output with its input, extracts only the distortion component and feeds that back, leaving the music signal itself untouched by the feedback loop. Luxman says the redesign reduces distortion in the amplification stage to less than half that of the previous system. The output stage is a three-stage Darlington with three pairs of bipolar transistors per channel in push-pull, rated at 110 W into 8 Ω and 220 W into 4 Ω.

The volume control is the new LECUA1000, an 88-step electronically controlled attenuator placed inside the amplifier circuit and followed by a discrete buffer stage with the current reserves to drive the power amplifier section. A rotary knob keeps the operation conventional; what changes is that the signal no longer passes through a potentiometer. The built-in phono stage handles MM and MC cartridges, and the usual Luxman conveniences are present: bass and treble tone controls, loudness, left-right balance, a line-straight bypass, a separate button that splits the preamplifier and power amplifier for bi-amping or home theater integration, and a mute.

The chassis follows the Z Series design, with a thick blasted-white front panel, a hairline-finished aluminum top and large LED-backlit VU meters flanking a seven-segment attenuation display. Headphone listeners get both a 6.3 mm jack and a 4.4 mm balanced jack with independent left and right grounding. Internally the signal path is laid out in Luxman's "beeline" style, with non-angled circuit traces, parallel low-resistance speaker relays and proprietary OFC wire run directly to the speaker terminals. The unit sits on density-gradient cast-iron feet.

Hans Wetzel, reviewing for SoundStage! Ultra in August 2023, found its sound "beyond reproach, being at once linear and dynamic, highly engaging yet non-fatiguing", with "no added tonal color or editorializing, no hash or edge, just wicked transparency to the source". In the range the L-507Z sits between the 100 W L-505Z and the flagship L-509Z; it shares the L-509Z's LIFES circuit and much of its construction at a lower price, and for most speakers in most rooms the difference in power is academic.

Luxman began in Osaka in June 1925 as the radio department of a picture-frame store, in the year broadcasting began in Japan, and dates its unbroken run of amplifiers from the SQ-5A integrated of 1961. The integrated amplifiers of today descend from the L-570 of the 1990s and the X generation of 2017, carry LIFES, the successor to the ODNF circuit of 1999, and are still built in Yokohama. Read the Luxman story →

Key technologies

  • LIFES 1.0. Luxman's Integrated Feedback Engine System, successor to ODNF; only the distortion component is fed back.
  • Triple-parallel push-pull output. Three-stage Darlington bipolar output stage, 110 W into 8 Ω and 220 W into 4 Ω, damping factor 300.
  • LECUA1000 attenuator. 88-step electronically controlled volume inside the amplifier circuit, with a discrete buffer at the preamplifier output.
  • MM/MC phono stage. Built-in phono equalizer for moving-magnet and moving-coil cartridges.
  • Dual headphone outputs. 6.3 mm and 4.4 mm balanced jacks with independent left and right grounding.
  • Custom EI transformer. With eight 10,000 µF filter capacitors for current delivery and voltage stability.

The L-507Z sits between the L-505Z and the L-509Z; the D-07X is its matching disc player.

Specifications
Rated output 110 W + 110 W into 8 Ω; 220 W + 220 W into 4 Ω
Output stage Bipolar three-stage Darlington, triple-parallel push-pull, Class AB
Damping factor 300
Inputs Phono MM 2.5 mV / 47 kΩ; MC 0.3 mV / 100 Ω; line (RCA) 180 mV / 47 kΩ; balanced line (XLR) 180 mV / 79 kΩ; main in 1.05 V / 47 kΩ
Outputs Pre out 1 V; speaker terminals; 6.3 mm and 4.4 mm balanced headphone jacks
Frequency response Phono 20 Hz – 20 kHz (±0.5 dB); line 20 Hz – 100 kHz (−3 dB)
Total harmonic distortion 0.007% or less (8 Ω, 1 kHz); 0.03% or less (8 Ω, 20 Hz – 20 kHz)
Signal-to-noise ratio (IHF-A) Phono MM 91 dB; MC 75 dB; line 105 dB
Volume control LECUA1000, 88 steps
Tone controls Bass ±8 dB at 100 Hz; treble ±8 dB at 10 kHz; line-straight bypass
Power supply Custom EI transformer; 8 × 10,000 µF filter capacitors
Power consumption 350 W maximum; 86 W no signal; 0.4 W standby
Dimensions (W × H × D) 440 × 178 × 454 mm (17.3 × 7.0 × 17.9 in), including knob and terminals
Weight 25.4 kg (56 lb)
Supplied RA-17A aluminum remote control, power cable

Luxman L-507Z product page and specifications

Where it sits in the range

The middle of Luxman's Z Series integrated range, and the first model to carry LIFES.

A natural partner for the D-03R CD player/DAC and the PD-151 MARK II turntable.

Reviews

Plan your Luxman system with Pearl Audio

Pearl Audio is an authorized Luxman dealer. We can match it to the rest of your system and arrange an audition in our Portland showroom. Call (503) 222-2599 or email sales@pearlaudio.com.

Signature technologies

The engineering behind the Luxman L-507z Integrated Amplifier

Luxman gives its technologies names because each one solves a specific problem. Here is what each does, where it came from, why it matters in a system, and what you may hear.

Feed back only the distortionSince 2021

LIFES

LIFES, the Luxman Integrated Feedback Engine System, is the amplifier circuit in every current Luxman amplifier. It descends from ODNF, which fed back only the distortion rather than the whole signal, and rebuilds that idea as a fully discrete error-detection circuit with about half the distortion of ODNF 4.0 and a 3 dB better signal-to-noise ratio. Read the deep diveClose

What it does

LIFES descends from ODNF, Only Distortion Negative Feedback, which Luxman first used in the CM-2100 car amplifier of 1999 and developed through ODNF 2.4 in the C-1000f of 2006, ODNF 4.0 in the C-900u and M-900u of 2013 and ODNF-u in the D-10X of 2020. Conventional negative feedback returns a slice of the output to the input, music included; ODNF compared input and output, extracted only the difference, the distortion, and fed back just that, so the main signal path behaved more like a feedback-free amplifier. LIFES keeps the idea and rebuilds the error-detection circuit as a fully discrete design, conceived, in Luxman's words, from first principles using simulation technology, with a new input FET, new voltage regulation and better thermal stability. Luxman claims roughly half the distortion of ODNF 4.0 and a 3 dB improvement in signal-to-noise ratio. LIFES 1.0 shipped first in the M-10X power amplifier, in Japan in 2021 and in the US in February 2022, then in the L-507Z, L-509Z, C-10X and L-505Z. LIFES 1.1 of 2025 parallels the input FETs of the error-detection stage; Phile-web measured the L-100's distortion at 0.002 percent at 1 kHz against 0.003 percent for the previous circuit.

Why it matters in a system

Feedback that carries the whole signal around the loop can trade clarity for a low distortion figure; feeding back only the error lets Luxman keep distortion and noise low while tuning the amplifier for its sound. Masakazu Nagatsuma, Luxman's head of development, said LIFES reduced distortion and improved signal-to-noise and gave the company more freedom in sound tuning. It is also why the Z-series integrateds, the C-10X and the M-10X share one character.

What you may hear

Quiet backgrounds and low distortion that John Atkinson confirmed on Stereophile's bench, where the L-509Z offered, in his words, excellent measured performance, especially its low-noise, low-distortion. Ken Micallef, listening to the same amplifier, called it an amp of brilliant purity and fluid communication.

A volume control with nothing to wearSince 2006

LECUA volume control

LECUA, the Luxman Electronically Controlled Ultimate Attenuator, replaces the potentiometer with a bank of fixed resistors switched electronically in 88 steps and merged with the amplifier circuit, so the volume control cannot wear, ignores vibration and sounds the same at every level. LECUA-EX adds a weighted encoder that is off the signal path entirely. Read the deep diveClose

What it does

In place of a mechanical potentiometer in the signal path, LECUA is a bank of fixed resistors switched electronically in 88 steps and merged with the amplifier circuit, so the volume control cannot wear, is immune to vibration and presents the same circuit to the signal at every level. The idea goes back to the C-10 preamplifier of 1996, whose Ultimate Attenuator used fixed-resistor switching; LECUA1000 replaced the switching with electronic control and was introduced in the C-1000f control amplifier of 2006 for Luxman's 80th anniversary. New LECUA1000, with 88 steps, arrived in the C-900u of 2013. LECUA-EX, introduced with the L-509Z in 2022 and the C-10X in 2023, adds a precise rotary encoder with a weighted rotation mechanism, so the knob turns like a conventional control while the encoder is, on the C-10X, entirely disconnected from the audio signal path; the C-10X offers 192 steps of 0.5 dB over 0 to 95.5 dB, the L-509Z 88 steps over 0 to 87 dB. The L-100, L-507Z and L-505Z use LECUA1000. A transformer version, LECUTA, is used in the CL-1000 tube preamplifier, and the LX-380 was the first tube amplifier with LECUA.

Why it matters in a system

The volume control sits in the signal path of everything you play, and a potentiometer's wiper is the one contact in an amplifier that moves. A resistor ladder switched electronically has no wiper to wear, no track to pick up vibration, and no change of frequency response or channel balance between quiet and loud listening, which is why Luxman has kept the design for twenty years and extended it through four generations.

What you may hear

Luxman's claim for LECUA-EX, as StereoNET reported it, is smoother and more precise volume control than ever before. What Hi-Fi? summed up the L-509Z's presentation as precision, clarity and balance; Ken Micallef in Stereophile heard clarity, balance, coherence, seamlessness, quietude, and a certain invisibility.

The housekeeping behind the soundSince 2017

Loop-less chassis, Beeline routing and peel-coat boards

Every Luxman amplifier shares a set of practices beneath the circuit: a chassis grounded so no loops form between panels, the shortest possible signal routing with curved traces, boards with the solder mask peeled from the signal area, oxygen-free copper wiring, oversized power supplies and cast-iron feet. They are built in Yokohama. Read the deep diveClose

What it does

Beneath the circuits, every Luxman amplifier and player shares a set of mechanical and electrical practices. The chassis is loop-less: panels and boards are grounded so that no ground loop forms between them, and the C-10X goes further with 100-micron gold-plated boards. Signal routing follows what Luxman calls the Beeline layout, the shortest path between stages, with curved rather than angled traces. On the L-507Z, L-509Z, L-100 and C-10X the printed boards are peel-coat types: the solder mask is removed from the signal area because, Luxman says, it can have a smearing effect on audio signals. Internal wiring is oxygen-free copper. Power supplies are oversized, with a 600 VA EI transformer and eight 10,000 µF capacitors in the L-509Z, a 1,250 VA transformer with flat copper windings in the M-10X, and a CI-core transformer in the C-10X. The units stand on density-gradient cast-iron insulator feet. Stereophile credited the L-509Z's design to three engineers: Masakazu Nagatsuma for its tonal qualities, Kunihiko Koki for the electronics and Takeharu Sato for the mechanicals. Luxman still manufactures in Yokohama, and each L-100 is built by hand by a team of four specialists.

Why it matters in a system

None of these details is a headline technology, and together they are much of why a Luxman sounds like a Luxman. Ground loops, long traces and resonant panels add noise and hash below the level of the specifications; removing them is what lets the low distortion of LIFES and the silence of LECUA reach the loudspeaker. It is also why the amplifiers weigh what they do: the L-509Z is 29.4 kg, the M-10X 48.4 kg.

What you may hear

Ken Micallef in Stereophile: the Luxman L-509Z never shouts, barks, or begs. Chris Kelly in Hi-Fi+ found its voicing perfectly judged, with incredible detail retrieval and no loss of musicality, and The Ear called it the yardstick by which future visiting amplifiers would be measured.

Moving coil through iron, not siliconSince 2008

Phono stages: super-permalloy transformers and the Articulator

Luxman's phono stages raise moving-coil signals through built-in step-up transformers with super-permalloy cores and begin with a paralleled-FET first stage. The E-250 is the half-width model; the E-07 of 2025 is the flagship, with four transformers, a front-panel load selector and balanced input and output. Both carry the Articulator, which demagnetizes the cartridge and transformers with the music signal. Read the deep diveClose

What it does

Luxman's solid-state phono stages amplify moving-coil cartridges through built-in step-up transformers with super-permalloy cores rather than active gain alone, and begin with a paralleled-FET first stage. The E-250, successor to the E-200 of 2008, is a half-width unit with 38 dB of gain for moving magnet and 57 and 66 dB for high- and low-output moving coil through a two-stage transformer, four MM load resistances and four capacitances, two inputs with the cartridge type set per input, a low-cut filter, a mono switch and RIAA accuracy of ±0.3 dB. The E-07 of February 2025 is the flagship: a non-feedback RIAA circuit with four parallel FETs, four super-permalloy transformers (left and right, high and low impedance), a six-position MC load selector on the front panel from 4.7 ohms to 1 kilohm, one balanced and two single-ended inputs, balanced and single-ended outputs with phase inversion, three power transformers, 3.6 mm copper base plates and a petal-shaped grounding structure Luxman calls PGS, at 13.2 kg. Both carry the Articulator, which demagnetizes the cartridge and transformers using the music signal itself. The L-509Z, L-507Z, L-505Z and L-100 integrateds have MM/MC stages built in, the L-509Z with two MC gain steps.

Why it matters in a system

A moving-coil cartridge delivers a few hundred microvolts, and the first stage that receives it sets the noise floor of the whole record-playing system. A transformer raises that signal with no active devices and no added noise before any amplification happens, which is why Luxman has stayed with the approach; the loading selector and per-input settings mean one phono stage can serve two turntables or two arms.

What you may hear

John Atkinson called the E-07 one of the best-measuring phono preamplifiers he had encountered, and Herb Reichert, in the same Stereophile review, an heirloom-quality product that should please the most discriminating phonophiles. Michael Fremer's advice at Tracking Angle: don't buy until you get a chance to hear the Luxman E-07.

All Luxman technologies and the company story

The Luxman story

Founded in Osaka in 1925 and built in Yokohama today: Class A, LIFES, LECUA and belt-drive turntables.

Founded 1925 in Osaka, Japan; headquartered and built in Yokohama, Kanagawa by T. Hayakawa and K. Yoshikawa · luxman.com

Milestones

  1. 1925 Founded in Osaka In June, the year radio broadcasting begins in Japan, T. Hayakawa and K. Yoshikawa start a radio department at the Kinsuido picture-frame store and incorporate it as Lux Corporation. The LUX-1730 and LUX-735 radios follow in 1928.
  2. 1958 MA-7A Luxman's first fully assembled post-war hi-fi power amplifier, a mono tube design with a patented NFB cross-over circuit, built on the OY output transformers developed in 1952.
  3. 1961 SQ-5A A vacuum-tube integrated with a center level meter and Luxman's own tone-control circuit. The company dates its unbroken run of tube amplifiers from it; the SQ-38 of 1964 follows.
  4. 1966 MQ-36 OTL An output-transformer-less tube power amplifier that stays in production until 1978. The MQ-60 of 1969 and CL-35 of 1970 are the models today's MQ-88uC and CL-38uC honor.
  5. 1975 Fiftieth anniversary: M-6000 A 300-watt stereo amplifier with the C-1000 preamplifier and T-110 tuner. The M-series amplifiers are designed by Tim de Paravicini; the Laboratory Reference Series follows in 1977.
  6. 1980 PD-300 A turntable with a vacuum disc stabilizer, a first for vacuum hold-down. Luxman stops building turntables after the PD-350 and does not return to them for 28 years.
  7. 1984 Alpine Electronics Alpine acquires the Luxman brand; Atsushi Miura leaves to found A&M and Air Tight in 1986. Co-badged products sold through mass retailers cost the brand its high-end dealers. Alpine sells in 1994.
  8. 1996 C-10 and B-10 Flagship separates that hold the top of the line for about ten years. The C-10's fixed-resistor Ultimate Attenuator is the ancestor of LECUA.Luxman C-10X Control Amplifier
  9. 1999 ODNF The CM-2100 car amplifier is the first product with Only Distortion Negative Feedback, which feeds back the distortion rather than the whole signal. Versions 2.4 (2006) and 4.0 (2013) follow.
  10. 2007 Eightieth anniversary; back in the US The B-1000f monoblocks (2005) and C-1000f control amplifier (2006) introduce LECUA1000 and ODNF 2.4. On a Higher Note returns Luxman to the United States after roughly two decades away.
  11. 2009 International Audio Group Luxman joins IAG, which keeps it separate from its other brands and leaves design and manufacturing in Kanagawa. The eleventh-generation SQ-38u launches the same year.
  12. 2011 PD-171 Turntable development resumes 28 years after the PD-350, with a belt-drive design that leads to the PD-151 (2019), the PD-191A and the PD-151 Mk II.Luxman PD-191A
  13. 2020 D-10X The world premiere of ROHM's MUS-IC BD34301EKV converter, run one per channel, with the LxDTM-i transport. The D-07X of 2023 uses the same chip and mechanism.Luxman D-07x SACD / DAC
  14. 2022 LIFES in the M-10X The successor to ODNF ships first in the flagship stereo power amplifier, then in the L-507Z, L-509Z, C-10X and L-505Z.Luxman M-10x Stereo Amplifier
  15. 2025 Centennial The E-07 phono stage, Black Edition CENTENNIAL models, the D-03R, and the L-100 and D-100 CENTENNIAL on LIFES 1.1. Rhythm Audio becomes the North American distributor in February; Luxman enters the Hi-Fi Hall of Fame in May.Luxman L-100 Class A Integrated
  16. 2026 Component of the Year Stereophile names the L-100 CENTENNIAL Joint Amplification Component of the Year and puts it on its October cover. The D-100 CENTENNIAL ships worldwide in April and the B-100 CENTENNIAL mono amplifier in September.Luxman D-100 SACD/DAC
Read the Luxman story
Magico S3 in blue with Luxman electronics in the Big Room

Luxman began in June 1925 as the radio-equipment department of Kinsuido, a painting and picture-frame dealer in Osaka, in the year radio broadcasting began in Japan. T. Hayakawa and his brother K. Yoshikawa incorporated the business as Lux Corporation; by the company's own account Kinsuido was the first in Japan to display and sell radio receivers in a store, and its radio manual, the first Japanese radio guidebook, ran to fourteen editions. The first products followed in 1928, the LUX-1730 and LUX-735 hi-fi radios sold with a magnetic-horn speaker, and in 1931 a magnetic pickup for the LUX-1730 electric phonograph. Through the 1930s the firm built its reputation on the parts it made itself, transformers and switches, and in 1952 it developed the OY-type output transformers that collectors still seek out and that Luxman's tube amplifiers carry in descendant form today.

The MA-7A of 1958, a mono vacuum-tube power amplifier with a patented NFB cross-over circuit, was Luxman's first fully assembled post-war hi-fi amplifier. The SQ-5A integrated of 1961, with its center-mounted level meter and Luxman's own tone-control circuit, was a hit, and the company dates its unbroken run of tube amplifiers from it. The SQ-65 of 1962 carried a motional-feedback patent, and the PZ-11 of the same year was Japan's first germanium-transistor phono equalizer. The SQ-38 of 1964 became a fixture of Japanese jazz cafés and began a series that reached its twelfth generation in the LX-380. The MQ-36 of 1966, an output-transformer-less tube amplifier, stayed in production until 1978; the SQ-505 and SQ-507 of 1968 preceded the 500 series; and the MQ-60 power amplifier of 1969 and CL-35 preamplifier of 1970 are the models the current MQ-88uC and CL-38uC are built to honor. By The Absolute Sound's account Luxman was the only major Japanese manufacturer still producing tube amplifiers through the 1970s and 1980s.

LUX Kit, a do-it-yourself brand, sold about seventy products between 1971 and 1980. For the fiftieth anniversary in 1975 Luxman introduced the 300-watt M-6000 stereo amplifier, the C-1000 preamplifier and the T-110 tuner; the M-3000, M-4000 and M-6000 were designed by Tim de Paravicini, whom Luxman employed for amplifier design. The Laboratory Reference Series of 1977 included a DC amplifier, and the PD-300 turntable of 1980 held the record down with a vacuum, a first. Atsushi Miura, who had married the eldest daughter of co-founder Yoshikawa and joined the company in 1956, was running it by the early 1980s. In 1984 Alpine Electronics acquired the Luxman brand; Miura and designer Masami Ishiguro founded A&M Limited in 1986, creating Air Tight. Under Alpine the products were co-badged Alpine/Luxman and sold through mass retailers such as Costco in the US; Stereophile later wrote that high-end dealers dropped the line because of the confusion, and Hi-Fi News that the fit was never an easy one. The engineering went on: the Fluency DA-07 converter and DP-07 transport of 1987, built on a University of Tsukuba professor's function-complementation theory, and the top-loading D-500X CD player of 1990 with a Philips CDM-3 mechanism.

Alpine sold the brand in 1994. The ownership that followed is not well documented, and the present Luxman Corporation was formed from the old Lux Corporation around 2000; what the company built in those years is clearer. The SQ-38s marked the seventieth anniversary in 1995. The C-10 preamplifier and B-10 power amplifier of 1996 remained the flagships for about ten years, and the C-10's Ultimate Attenuator, a fixed-resistor volume control, is the ancestor of LECUA. In 1999 the CM-2100 car amplifier became the first product with ODNF, the feedback circuit that fed back only the distortion. The DU-10 universal SACD player arrived in 2001, and the CL-88 and MQ-88 of 2004 were the first tube separates in eleven years. For the eightieth anniversary the B-1000f monoblocks of 2005, more than thirteen years in development, and the C-1000f control amplifier of 2006, at ¥2,100,000, introduced LECUA1000 and ODNF 2.4. In 2007 Philip O'Hanlon's On a Higher Note brought Luxman back to the United States after roughly two decades away, with the C-1000f at $30,000 and the B-1000f at $48,000 each; what struck O'Hanlon was that the technology really did trickle down to more realistically priced models.

In 2009 Luxman became part of the International Audio Group, which kept it separate from its British brands, Quad and Wharfedale among them, and left design and manufacturing in Kanagawa. The SQ-38u, eleventh of its line, launched the same year. The PD-171 of 2011 revived turntable development 28 years after the PD-350; the P-700u headphone amplifier followed in 2012, and the C-900u and M-900u of 2013, at ¥1,155,000 each, brought ODNF 4.0 and New LECUA1000. The MQ-300 of 2015, with two Japanese-made 300B tubes, marked the ninetieth anniversary. The X generation renewed the integrateds, the L-505uXII and L-507uXII in November 2017 and the L-509X in January 2018, and the CL-38uC and MQ-88uC tube separates of April 2018 reproduced the OY15 output transformers in their original shape. The PD-151 turntable arrived in February 2019 and the CL-1000 tube preamplifier in January 2020. In July 2020 the D-10X gave the world premiere of ROHM's MUS-IC BD34301EKV converter, run as a pair in dual mono, and the same year the L-595A LIMITED reissued the 1990s L-570 Class A design in 300 units each for Japan and overseas.

LIFES, the successor to ODNF, shipped first in the M-10X power amplifier, announced in the US in January 2022 at $19,995, then in the L-507Z of August 2022, the L-509Z that December, and the C-10X of November 2023, the first new flagship preamplifier in ten years. The D-07X SACD player arrived in February 2023 and the PD-191A turntable, with the SAEC-developed LTA-710 arm, reached the US that April; the NT-07 network transport and L-505Z followed in 2024. The centennial year of 2025 brought the E-07 phono stage, Black Edition CENTENNIAL versions of four models, the D-03R, and the L-100 and D-100 CENTENNIAL, the first pure Class A integrated and the first disc player built on LIFES 1.1. In February 2025 Rhythm Audio of Upland, California took over distribution for the United States and Canada, and in May Luxman was inducted into the Hi-Fi Hall of Fame. The B-100 CENTENNIAL mono amplifier followed in September 2026, and in October Stereophile put the L-100 on its cover and named it Joint Amplification Component of the Year. Luxman is headquartered and still manufactures in Yokohama under president Tatsuya Sueyoshi, and each L-100 is built by hand by a team of four.

The complete Luxman story and technology library

Luxman at Pearl Audio

Pearl Audio is an authorized Luxman dealer in Portland. We carry the full line, from the L-505Z, L-507Z, L-509Z and L-100 CENTENNIAL integrateds and the C-10X and M-10X separates to the PD-151 Mk II and PD-191A turntables, the E-250 and E-07 phono stages, the D-03R, D-07X and D-100 CENTENNIAL players and the NT-07 network transport. We match Luxman amplification to loudspeakers in our rooms and yours, set up the turntables and arms, fit and align cartridges, and configure the D-series players and NT-07 as a system. Delivery and in-home setup are part of how we sell Luxman, and service runs through Rhythm Audio, Luxman's distributor for the United States and Canada.

The Pearl Audio experience

How we work with you

A system at this level should be heard, thoughtfully matched, and properly set up. From the first audition to long-term ownership, you work with the same people, in person.

  1. 01

    Listen first

    Hear the L-507z Integrated Amplifier by appointment in one of our two purpose-designed demonstration rooms, with your own music and time to compare without pressure.

  2. 02

    Delivery and installation

    We deliver and install throughout the Portland area, taking care of placement, connections, ventilation and system configuration ourselves.

  3. 03

    Support for as long as you own it

    We support everything we sell for as long as you own it, whether the answer comes by phone, in your home, or through factory service.

  4. 04

    A path for what comes next

    Trade-in assistance and qualifying 100% Trade-Up options give you flexibility when your listening priorities or your system change.

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