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Luxman · Digital players

Luxman D-07x SACD / DAC

$11,495

Signature technologiesThe Luxman story

On demonstration

On the floor at our Portland showroom. Ask and we will set it up for you to hear.

Luxman · Digital players

An SACD/CD player and USB DAC built around two ROHM BD34301EKV converters in mono mode, Luxman's LxDTM-i transport and a discrete I/V stage, with full MQA decoding from disc and file.

Current production model. Supplied with the RD-29 aluminum remote.

125 dB
SACD signal-to-noise (IHF-A)
768 kHz
32-bit PCM over USB; DSD to 22.4 MHz
2 × BD34301
ROHM DACs in mono mode
37.5 lb
weight (17.0 kg)

Authorized Luxman dealer · Delivery and installation by Pearl Audio · Trade-ins welcome

The story

The D-07X arrived in 2023 as the successor to the D-06u and brought the architecture of the flagship D-10X down a step: two ROHM BD34301EKV converters, one per channel, a newly designed discrete current-to-voltage stage built from four matched amplifier modules, and a low-impedance buffer that lets the player drive long cables without strain. Two clock modules with very low phase noise serve the two sample-rate families, and the power transformer is 50% larger than the D-06u's, feeding independent regulator blocks for each circuit section. The result on paper is 125 dB signal-to-noise from SACD and 0.0007% distortion.

As a DAC it accepts PCM to 32-bit/768 kHz and DSD to 22.4 MHz over asynchronous USB, with Luxman's Bulk Pet transfer modes available through the free driver, and 24-bit/192 kHz on coaxial and optical. MQA is decoded in full from MQA-CD and from files, with a three-color LED showing Studio, Authentic or Renderer status. Coaxial and optical digital outputs let the LxDTM-i mechanism feed an outboard DAC. A phase-invert button swaps pins 2 and 3 on the Neutrik balanced outputs, and the RCA outputs are gold-plated on a 32 mm pitch to accept large plugs. Trigger connections link power with other Luxman components.

The mechanism is placed on the left of the chassis and bolted to the side panel, which Luxman says isolates it from the analog board and shortens the signal path. The chassis is shielded, internally damped and carried on density-gradient cast-iron feet. Paul Seydor, reviewing for The Absolute Sound in January 2025, found the D-07X "remains within the bounds of what I call acceptable neutrality", with "a hint of warmth and smoothness, but applied with a commendably light and fastidious hand".

In Luxman's digital range the D-07X is the player for a system built around a L-507Z or L-509Z; the D-100 CENTENNIAL steps up to ROHM's newer BD34302 chips and a LIFES 1.1 output stage, and the D-03R is the CD-only alternative. Add the NT-07 for streaming into the USB or coaxial input.

Luxman began in Osaka in June 1925, the year broadcasting began in Japan, and its digital line runs from the Fluency DA-07 converter and DP-07 transport of 1987 and the top-loading D-500X of 1990 to the D-10X of 2020, which gave ROHM's MUS-IC converter its world premiere. Every current player is designed and built in Yokohama. Read the Luxman story →

Key technologies

  • Dual-mono ROHM BD34301EKV. Two converters, one per channel, as in the D-10X.
  • Discrete I/V conversion. Four matched amplifier modules and a low-impedance buffer stage replace the usual op-amp I/V.
  • LxDTM-i mechanism. Luxman's own disc transport with a die-cast aluminum tray, mounted to the chassis side panel.
  • Dual low-phase-noise clocks. One module for each sample-rate family.
  • Full MQA decoding. From MQA-CD and from files, with a three-color status LED.
  • 50% larger transformer. Than the D-06u, with independent regulator blocks for each circuit section.

The D-07X's streaming partner is the NT-07; the D-100 CENTENNIAL is the step up.

Specifications
Discs SACD; CD, CD-R, CD-RW, MQA-CD
D/A converter 2 × ROHM BD34301EKV in mono mode
USB input PCM 44.1 – 768 kHz, 16/24/32-bit; DSD 2.8, 5.6, 11.2 and 22.4 MHz
Coaxial / optical inputs PCM 44.1 – 192 kHz, 16/20/24-bit
Digital outputs Coaxial, optical
Analog outputs Unbalanced (RCA, 32 mm pitch) 2.4 V / 300 Ω; balanced (Neutrik XLR) 2.4 V / 600 Ω; SACD/DSD 2.3 V; phase invert
Frequency response CD 5 Hz – 20 kHz (+0, −1 dB); SACD 5 Hz – 38 kHz (+0, −3 dB); USB 5 Hz – 47 kHz (+0, −3 dB)
Total harmonic distortion CD 0.0016%; SACD 0.0007%; USB 0.001%
Signal-to-noise ratio (IHF-A) CD 122 dB; SACD 125 dB; USB 122 dB
MQA Full decoder (MQA-CD and files); Studio/Authentic/Renderer indicator
Mechanism LxDTM-i with die-cast aluminum tray
Power consumption 37 W
Dimensions (W × H × D) 440 × 132 × 410 mm (17.3 × 5.2 × 16.1 in), including knob and terminals
Weight 17.0 kg (37.5 lb)
Supplied RD-29 remote control, power cable; Luxman Audio Player software for Windows and macOS

Luxman D-07X product page and specifications

Where it sits in the range

The SACD player for the middle and upper Luxman systems.

For streaming, add the NT-07 network transport.

Reviews

Plan your Luxman system with Pearl Audio

Pearl Audio is an authorized Luxman dealer. We can match it to the rest of your system and arrange an audition in our Portland showroom. Call (503) 222-2599 or email sales@pearlaudio.com.

Signature technologies

The engineering behind the Luxman D-07x SACD / DAC

Luxman gives its technologies names because each one solves a specific problem. Here is what each does, where it came from, why it matters in a system, and what you may hear.

The drive is part of the chassisSince 2020

LxDTM-i disc transport

LxDTM-i, Luxman's original disc transport mechanism, bolts the drive into a box of 8 mm aluminum side frames and a 5 mm steel top plate tied into the chassis, so the mechanism cannot resonate on its own. It reads SACD and CD in the D-10X, D-07X and D-100 CENTENNIAL. Read the deep diveClose

What it does

LxDTM-i stands for LUXMAN original Disc Transport Mechanism, improved. Rather than a drive floating on soft mounts, Luxman bolts the mechanism into a rigid box of 8 mm aluminum side frames that extend to the front and rear panels, with a 5 mm steel top plate that ties the assembly into the chassis, so the drive cannot resonate independently of the player. It was introduced in the D-10X in 2020 and is used in the D-07X of 2023, where the transport is mounted directly to the chassis side panel with a die-cast aluminum tray, and in the D-100 CENTENNIAL of 2025, whose third-generation version adds an 8 mm aluminum base plate. The D-10X, D-07X and D-100 read SACD and CD; the D-07X also decodes MQA-CD. The D-03R, Luxman's CD-only player of September 2025, uses a different single-laser CD drive fixed to a 3.2 mm steel base, and has no SACD playback. All of the players also accept USB, coaxial and optical inputs, so the same transport and converter serve a network transport or a computer as well as discs.

Why it matters in a system

A disc player's transport is a motor and a laser trying to read a spiral a fraction of a micron wide while the chassis around it vibrates with the music; the less the mechanism moves, the fewer corrections the servo makes and the steadier the data stream reaching the converter. Luxman treats the drive as a structural part of the player, not a module dropped in, and the weight of the players, 17 kg for the D-07X and 25.4 kg for the D-100, reflects it.

What you may hear

Paul Seydor, placing the D-07X on The Absolute Sound's Editors' Choice list, described it as a scaled-down 10X instead of a hot-rodded 03X; it has held the listing for 2025 and 2027.

The world premiere was a LuxmanSince 2020

ROHM MUS-IC converters, one per channel

Luxman was the launch customer for ROHM Semiconductor's MUS-IC audio converters, giving the BD34301EKV its world premiere in the D-10X of 2020. Every current Luxman player runs two ROHM chips, one per channel, into a discrete, fully balanced current-to-voltage stage, and accepts USB, coaxial and optical sources as well as discs. Read the deep diveClose

What it does

Luxman was the launch customer for ROHM Semiconductor's MUS-IC family of audio-grade converters: the D-10X of 2020 was, in Luxman's words, the world premiere of the ROHM MUS-IC BD34301EKV as of May 2020. Every current Luxman disc player uses two ROHM chips, one per channel, in what Luxman calls a dual monaural configuration, each feeding a discrete, fully balanced current-to-voltage stage; on the D-07X that stage uses four matched modules, and out-of-band filtering is performed in the buffer stage rather than at the converter. The chips differ by model. The D-10X and D-07X use the BD34301EKV. The D-03R of 2025 uses the BD34352EKV with selectable digital filters, replacing the pair of Texas Instruments PCM1795 converters in the D-03X it succeeded, and doubles the capacitance feeding the converter. The D-100 CENTENNIAL uses the BD34302EKV, the higher-tier chip above the BD34301EKV, with an output stage built on LIFES 1.1, the first in a disc player. The players accept USB at up to 768 kHz/32-bit PCM and DSD to 22.5 MHz (384 kHz on the D-03R), with coaxial and optical inputs and outputs, so each works as the DAC for the NT-07 network transport or a computer.

Why it matters in a system

Running one converter per channel removes crosstalk inside the chip and lets each channel have its own supply and output stage, and the discrete I/V stage after the converter is where Luxman's analog engineering shows. Because the DAC is the same whether the source is a disc, a streamer or a computer, an owner can begin with CDs and add the NT-07 later without changing converters.

What you may hear

Paul Seydor, in The Absolute Sound, noted that the D-10X, excepting Blu-ray audio, will play virtually any audio-only two-channel or hybrid disc on the planet; Rafael Todes of StereoNET found the D-03R's predecessor, the D-03X, an unashamedly luxurious and refined sounding machine.

The housekeeping behind the soundSince 2017

Loop-less chassis, Beeline routing and peel-coat boards

Every Luxman amplifier shares a set of practices beneath the circuit: a chassis grounded so no loops form between panels, the shortest possible signal routing with curved traces, boards with the solder mask peeled from the signal area, oxygen-free copper wiring, oversized power supplies and cast-iron feet. They are built in Yokohama. Read the deep diveClose

What it does

Beneath the circuits, every Luxman amplifier and player shares a set of mechanical and electrical practices. The chassis is loop-less: panels and boards are grounded so that no ground loop forms between them, and the C-10X goes further with 100-micron gold-plated boards. Signal routing follows what Luxman calls the Beeline layout, the shortest path between stages, with curved rather than angled traces. On the L-507Z, L-509Z, L-100 and C-10X the printed boards are peel-coat types: the solder mask is removed from the signal area because, Luxman says, it can have a smearing effect on audio signals. Internal wiring is oxygen-free copper. Power supplies are oversized, with a 600 VA EI transformer and eight 10,000 µF capacitors in the L-509Z, a 1,250 VA transformer with flat copper windings in the M-10X, and a CI-core transformer in the C-10X. The units stand on density-gradient cast-iron insulator feet. Stereophile credited the L-509Z's design to three engineers: Masakazu Nagatsuma for its tonal qualities, Kunihiko Koki for the electronics and Takeharu Sato for the mechanicals. Luxman still manufactures in Yokohama, and each L-100 is built by hand by a team of four specialists.

Why it matters in a system

None of these details is a headline technology, and together they are much of why a Luxman sounds like a Luxman. Ground loops, long traces and resonant panels add noise and hash below the level of the specifications; removing them is what lets the low distortion of LIFES and the silence of LECUA reach the loudspeaker. It is also why the amplifiers weigh what they do: the L-509Z is 29.4 kg, the M-10X 48.4 kg.

What you may hear

Ken Micallef in Stereophile: the Luxman L-509Z never shouts, barks, or begs. Chris Kelly in Hi-Fi+ found its voicing perfectly judged, with incredible detail retrieval and no loss of musicality, and The Ear called it the yardstick by which future visiting amplifiers would be measured.

A streamer without a DACSince 2024

The NT-07 network transport

The NT-07 of 2024 is Luxman's first streamer, and it deliberately omits a converter. It gathers Qobuz, TIDAL, Spotify, radio, NAS and USB sources on an OpenHome platform and sends them by USB at up to 768 kHz/32-bit and DSD 22.5 MHz to a Luxman D-series player, which becomes the system DAC. Read the deep diveClose

What it does

The NT-07, announced March 8, 2024 and shown at High End Munich that May, is Luxman's first network transport, and it deliberately has no digital-to-analog converter. It gathers music from Qobuz, TIDAL Connect, Spotify Connect, TuneIn, a NAS or a USB drive on an OpenHome/UPnP platform controlled by the LUXMAN Stream app, and hands it on by USB at up to 768 kHz/32-bit PCM and DSD 22.5 MHz, by coaxial or optical at up to 192 kHz/24-bit, or over HDMI ARC, with resampling from 44.1 to 384 kHz to suit the converter and MQA handling that can be off, core decode or pass-through. The intended partner is a Luxman D-series player, whose USB input turns it into the system DAC; the D-07X, D-100 and D-03R all accept the stream, the first two at the full rate. Inside is a linear power supply with an OI-core transformer and two 10,000 µF capacitors, gigabit Ethernet and the RC-30 remote, in a 10.3 kg chassis that matches the amplifiers. Roon Ready certification was described by Luxman as underway as of March 2024. A Black Edition CENTENNIAL version followed in April 2025.

Why it matters in a system

A streamer that contains a DAC duplicates what a Luxman disc player already has and ties the owner to that converter's generation. Separating the two means the network side, which changes quickly, can be updated or replaced without touching the analog side, and a single converter handles discs and streams alike. For an owner of a D-series player, the NT-07 is the path to streaming without a second DAC.

What you may hear

The sound of an NT-07 system is the sound of the Luxman converter it feeds; the transport's job is to deliver the stream intact and at the right rate. Luxman describes it as cutting edge, multiple source music streaming.

All Luxman technologies and the company story

The Luxman story

Founded in Osaka in 1925 and built in Yokohama today: Class A, LIFES, LECUA and belt-drive turntables.

Founded 1925 in Osaka, Japan; headquartered and built in Yokohama, Kanagawa by T. Hayakawa and K. Yoshikawa · luxman.com

Milestones

  1. 1925 Founded in Osaka In June, the year radio broadcasting begins in Japan, T. Hayakawa and K. Yoshikawa start a radio department at the Kinsuido picture-frame store and incorporate it as Lux Corporation. The LUX-1730 and LUX-735 radios follow in 1928.
  2. 1958 MA-7A Luxman's first fully assembled post-war hi-fi power amplifier, a mono tube design with a patented NFB cross-over circuit, built on the OY output transformers developed in 1952.
  3. 1961 SQ-5A A vacuum-tube integrated with a center level meter and Luxman's own tone-control circuit. The company dates its unbroken run of tube amplifiers from it; the SQ-38 of 1964 follows.
  4. 1966 MQ-36 OTL An output-transformer-less tube power amplifier that stays in production until 1978. The MQ-60 of 1969 and CL-35 of 1970 are the models today's MQ-88uC and CL-38uC honor.
  5. 1975 Fiftieth anniversary: M-6000 A 300-watt stereo amplifier with the C-1000 preamplifier and T-110 tuner. The M-series amplifiers are designed by Tim de Paravicini; the Laboratory Reference Series follows in 1977.
  6. 1980 PD-300 A turntable with a vacuum disc stabilizer, a first for vacuum hold-down. Luxman stops building turntables after the PD-350 and does not return to them for 28 years.
  7. 1984 Alpine Electronics Alpine acquires the Luxman brand; Atsushi Miura leaves to found A&M and Air Tight in 1986. Co-badged products sold through mass retailers cost the brand its high-end dealers. Alpine sells in 1994.
  8. 1996 C-10 and B-10 Flagship separates that hold the top of the line for about ten years. The C-10's fixed-resistor Ultimate Attenuator is the ancestor of LECUA.Luxman C-10X Control Amplifier
  9. 1999 ODNF The CM-2100 car amplifier is the first product with Only Distortion Negative Feedback, which feeds back the distortion rather than the whole signal. Versions 2.4 (2006) and 4.0 (2013) follow.
  10. 2007 Eightieth anniversary; back in the US The B-1000f monoblocks (2005) and C-1000f control amplifier (2006) introduce LECUA1000 and ODNF 2.4. On a Higher Note returns Luxman to the United States after roughly two decades away.
  11. 2009 International Audio Group Luxman joins IAG, which keeps it separate from its other brands and leaves design and manufacturing in Kanagawa. The eleventh-generation SQ-38u launches the same year.
  12. 2011 PD-171 Turntable development resumes 28 years after the PD-350, with a belt-drive design that leads to the PD-151 (2019), the PD-191A and the PD-151 Mk II.Luxman PD-191A
  13. 2020 D-10X The world premiere of ROHM's MUS-IC BD34301EKV converter, run one per channel, with the LxDTM-i transport. The D-07X of 2023 uses the same chip and mechanism.
  14. 2022 LIFES in the M-10X The successor to ODNF ships first in the flagship stereo power amplifier, then in the L-507Z, L-509Z, C-10X and L-505Z.Luxman M-10x Stereo Amplifier
  15. 2025 Centennial The E-07 phono stage, Black Edition CENTENNIAL models, the D-03R, and the L-100 and D-100 CENTENNIAL on LIFES 1.1. Rhythm Audio becomes the North American distributor in February; Luxman enters the Hi-Fi Hall of Fame in May.Luxman L-100 Class A Integrated
  16. 2026 Component of the Year Stereophile names the L-100 CENTENNIAL Joint Amplification Component of the Year and puts it on its October cover. The D-100 CENTENNIAL ships worldwide in April and the B-100 CENTENNIAL mono amplifier in September.Luxman D-100 SACD/DAC
Read the Luxman story
Luxman L-509Z integrated amplifier, front view

Luxman began in June 1925 as the radio-equipment department of Kinsuido, a painting and picture-frame dealer in Osaka, in the year radio broadcasting began in Japan. T. Hayakawa and his brother K. Yoshikawa incorporated the business as Lux Corporation; by the company's own account Kinsuido was the first in Japan to display and sell radio receivers in a store, and its radio manual, the first Japanese radio guidebook, ran to fourteen editions. The first products followed in 1928, the LUX-1730 and LUX-735 hi-fi radios sold with a magnetic-horn speaker, and in 1931 a magnetic pickup for the LUX-1730 electric phonograph. Through the 1930s the firm built its reputation on the parts it made itself, transformers and switches, and in 1952 it developed the OY-type output transformers that collectors still seek out and that Luxman's tube amplifiers carry in descendant form today.

The MA-7A of 1958, a mono vacuum-tube power amplifier with a patented NFB cross-over circuit, was Luxman's first fully assembled post-war hi-fi amplifier. The SQ-5A integrated of 1961, with its center-mounted level meter and Luxman's own tone-control circuit, was a hit, and the company dates its unbroken run of tube amplifiers from it. The SQ-65 of 1962 carried a motional-feedback patent, and the PZ-11 of the same year was Japan's first germanium-transistor phono equalizer. The SQ-38 of 1964 became a fixture of Japanese jazz cafés and began a series that reached its twelfth generation in the LX-380. The MQ-36 of 1966, an output-transformer-less tube amplifier, stayed in production until 1978; the SQ-505 and SQ-507 of 1968 preceded the 500 series; and the MQ-60 power amplifier of 1969 and CL-35 preamplifier of 1970 are the models the current MQ-88uC and CL-38uC are built to honor. By The Absolute Sound's account Luxman was the only major Japanese manufacturer still producing tube amplifiers through the 1970s and 1980s.

LUX Kit, a do-it-yourself brand, sold about seventy products between 1971 and 1980. For the fiftieth anniversary in 1975 Luxman introduced the 300-watt M-6000 stereo amplifier, the C-1000 preamplifier and the T-110 tuner; the M-3000, M-4000 and M-6000 were designed by Tim de Paravicini, whom Luxman employed for amplifier design. The Laboratory Reference Series of 1977 included a DC amplifier, and the PD-300 turntable of 1980 held the record down with a vacuum, a first. Atsushi Miura, who had married the eldest daughter of co-founder Yoshikawa and joined the company in 1956, was running it by the early 1980s. In 1984 Alpine Electronics acquired the Luxman brand; Miura and designer Masami Ishiguro founded A&M Limited in 1986, creating Air Tight. Under Alpine the products were co-badged Alpine/Luxman and sold through mass retailers such as Costco in the US; Stereophile later wrote that high-end dealers dropped the line because of the confusion, and Hi-Fi News that the fit was never an easy one. The engineering went on: the Fluency DA-07 converter and DP-07 transport of 1987, built on a University of Tsukuba professor's function-complementation theory, and the top-loading D-500X CD player of 1990 with a Philips CDM-3 mechanism.

Alpine sold the brand in 1994. The ownership that followed is not well documented, and the present Luxman Corporation was formed from the old Lux Corporation around 2000; what the company built in those years is clearer. The SQ-38s marked the seventieth anniversary in 1995. The C-10 preamplifier and B-10 power amplifier of 1996 remained the flagships for about ten years, and the C-10's Ultimate Attenuator, a fixed-resistor volume control, is the ancestor of LECUA. In 1999 the CM-2100 car amplifier became the first product with ODNF, the feedback circuit that fed back only the distortion. The DU-10 universal SACD player arrived in 2001, and the CL-88 and MQ-88 of 2004 were the first tube separates in eleven years. For the eightieth anniversary the B-1000f monoblocks of 2005, more than thirteen years in development, and the C-1000f control amplifier of 2006, at ¥2,100,000, introduced LECUA1000 and ODNF 2.4. In 2007 Philip O'Hanlon's On a Higher Note brought Luxman back to the United States after roughly two decades away, with the C-1000f at $30,000 and the B-1000f at $48,000 each; what struck O'Hanlon was that the technology really did trickle down to more realistically priced models.

In 2009 Luxman became part of the International Audio Group, which kept it separate from its British brands, Quad and Wharfedale among them, and left design and manufacturing in Kanagawa. The SQ-38u, eleventh of its line, launched the same year. The PD-171 of 2011 revived turntable development 28 years after the PD-350; the P-700u headphone amplifier followed in 2012, and the C-900u and M-900u of 2013, at ¥1,155,000 each, brought ODNF 4.0 and New LECUA1000. The MQ-300 of 2015, with two Japanese-made 300B tubes, marked the ninetieth anniversary. The X generation renewed the integrateds, the L-505uXII and L-507uXII in November 2017 and the L-509X in January 2018, and the CL-38uC and MQ-88uC tube separates of April 2018 reproduced the OY15 output transformers in their original shape. The PD-151 turntable arrived in February 2019 and the CL-1000 tube preamplifier in January 2020. In July 2020 the D-10X gave the world premiere of ROHM's MUS-IC BD34301EKV converter, run as a pair in dual mono, and the same year the L-595A LIMITED reissued the 1990s L-570 Class A design in 300 units each for Japan and overseas.

LIFES, the successor to ODNF, shipped first in the M-10X power amplifier, announced in the US in January 2022 at $19,995, then in the L-507Z of August 2022, the L-509Z that December, and the C-10X of November 2023, the first new flagship preamplifier in ten years. The D-07X SACD player arrived in February 2023 and the PD-191A turntable, with the SAEC-developed LTA-710 arm, reached the US that April; the NT-07 network transport and L-505Z followed in 2024. The centennial year of 2025 brought the E-07 phono stage, Black Edition CENTENNIAL versions of four models, the D-03R, and the L-100 and D-100 CENTENNIAL, the first pure Class A integrated and the first disc player built on LIFES 1.1. In February 2025 Rhythm Audio of Upland, California took over distribution for the United States and Canada, and in May Luxman was inducted into the Hi-Fi Hall of Fame. The B-100 CENTENNIAL mono amplifier followed in September 2026, and in October Stereophile put the L-100 on its cover and named it Joint Amplification Component of the Year. Luxman is headquartered and still manufactures in Yokohama under president Tatsuya Sueyoshi, and each L-100 is built by hand by a team of four.

The complete Luxman story and technology library

Luxman at Pearl Audio

Pearl Audio is an authorized Luxman dealer in Portland. We carry the full line, from the L-505Z, L-507Z, L-509Z and L-100 CENTENNIAL integrateds and the C-10X and M-10X separates to the PD-151 Mk II and PD-191A turntables, the E-250 and E-07 phono stages, the D-03R, D-07X and D-100 CENTENNIAL players and the NT-07 network transport. We match Luxman amplification to loudspeakers in our rooms and yours, set up the turntables and arms, fit and align cartridges, and configure the D-series players and NT-07 as a system. Delivery and in-home setup are part of how we sell Luxman, and service runs through Rhythm Audio, Luxman's distributor for the United States and Canada.

The Pearl Audio experience

How we work with you

A system at this level should be heard, thoughtfully matched, and properly set up. From the first audition to long-term ownership, you work with the same people, in person.

  1. 01

    Listen first

    Hear the D-07x SACD / DAC by appointment in one of our two purpose-designed demonstration rooms, with your own music and time to compare without pressure.

  2. 02

    Delivery and installation

    We deliver and install throughout the Portland area, taking care of placement, connections, ventilation and system configuration ourselves.

  3. 03

    Support for as long as you own it

    We support everything we sell for as long as you own it, whether the answer comes by phone, in your home, or through factory service.

  4. 04

    A path for what comes next

    Trade-in assistance and qualifying 100% Trade-Up options give you flexibility when your listening priorities or your system change.

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