← Back to your LP12 build

Luxman · Z Series flagship

Luxman L-509Z Integrated Amplifier

$14,495

Signature technologiesThe Luxman story

On demonstrationIn stock

On the floor at our Portland showroom. Ask and we will set it up for you to hear. New and sealed units are in stock.

Luxman · Z Series flagship

The L-509Z is Luxman's flagship integrated amplifier: a fully discrete preamplifier and a 120 W Class AB power amplifier built as independent modules on one chassis, each with its own LIFES 1.0 feedback engine, an 88-step LECUA-EX attenuator, a 600 VA transformer with 80,000 µF of capacitance, an MM/MC phono stage with two MC gain settings and balanced and standard headphone outputs.

Successor to the L-509X. Supplied with the aluminum RA-17A remote. Line and phono inputs only; there is no digital section, and the pre and power sections can be separated.

120 W / 220 W
per channel into 8 Ω / 4 Ω; Hi-Fi News measured 152 W and 255 W
106 dB
signal-to-noise, line, IHF-A; 0.007 % THD at 1 kHz into 8 Ω
88 steps
LECUA-EX attenuator, 0 to 87 dB, encoder outside the signal path
64.8 lb
weight (29.4 kg); 17.3 in wide, 7.6 in tall

Authorized Luxman dealer · Delivery and installation by Pearl Audio · Trade-ins welcome

The story

Luxman describes the L-509Z as a single-chassis separate, and the construction supports the phrase. Inside the 440 mm case are a preamplifier and a power amplifier built as independent modules, each with its own LIFES 1.0 feedback engine, with two pre-outputs and a main input on the back so that the two halves can be used apart or with another amplifier. The L-509Z took over from the L-509X of 2018 as the top of the integrated range, reaching North America in 2023 and the UK in January 2024, and it was the first integrated amplifier to carry the circuit Luxman had introduced in the M-10X power amplifier of 2021 and the C-10X preamplifier. The L-507Z and L-505Z that followed share the engine at lower power; the L-509Z is the one with the LECUA-EX attenuator, the largest supply and the full feature set.

LIFES, Luxman Integrated Feedback Engine System, is the successor to the ODNF circuit the company used from 1999 to 2022. Both work on the same principle: rather than feeding the whole output signal back to the input, the circuit extracts only the difference between input and output, the distortion component, and feeds that back, so the amplifier measures like a feedback design without the character that global feedback imposes on a signal. Luxman's figures for the change from ODNF 4.0 to LIFES 1.0 are distortion cut by more than half and signal-to-noise improved by 3 dB. In the L-509Z the preamplifier section is fully discrete, replacing the op-amps and buffers of the L-509X, and the power amplifier is a three-stage Darlington output with four pairs of bipolar transistors per channel in push-pull, rated at 120 W into 8 Ω and 220 W into 4 Ω with a damping factor of 330. Low-resistance speaker relays run in parallel and 3.5 mm² internal cable carries the output to the terminals.

The volume control is LECUA-EX, the attenuator the C-10X and M-10X generation introduced. A weighted knob drives a rotary encoder with no connection to the audio; the signal passes through electronically switched fixed resistors in 88 steps from 0 to 87 dB, so there is no wiper to wear, no channel imbalance at low settings and a seven-segment display between the meters that shows the attenuation. The supply is a 600 VA EI-core transformer feeding eight 10,000 µF capacitors, 40,000 µF per channel, with new Toshin and Nippon Chemi-Con parts throughout. The circuit boards carry peel-coat finish on the main signal path and curved gold traces in the power amplifier, laid out in Luxman's beeline routing from input to speaker terminal with no right-angle bends. The casework is an ultra-thick hairline-finished aluminum top with 28 machined ventilation chambers, blasted aluminum front and side panels, powder-coated steel beneath and four large cast-iron feet.

The L-509Z is an analog amplifier with an analog feature set. The phono stage takes MM, high-output MC and low-output MC cartridges with a two-step MC gain switch and a front-panel mute; John Atkinson measured its overload margin at 29 dB for MM and found it, in his words, "overload-proof." Tone controls cover bass at 100 Hz, a new middle band at 760 Hz for voices and lead instruments, and treble at 10 kHz, each ±8 dB, with loudness, balance and a line-straight button that removes all of them from the path. Two headphone outputs sit on the front panel, a 6.3 mm jack and a 4.4 mm balanced jack with independent left and right grounding. Inputs are four RCA line pairs, two balanced XLR pairs, phono and main-in; outputs are two pre-outs and two switched speaker pairs for bi-wiring, with 12 V trigger and control terminals. The two LED-backlit VU meters and the display can be dimmed or switched off from the RA-17A remote, which also runs Luxman disc players.

Ken Micallef reviewed the L-509Z for Stereophile in February 2024 on Volti Razz, DeVore O/baby, Spendor BC-1 and GoldenEar BRX loudspeakers, and after a long break-in found large, dense images, a deep stage, a very low noise floor and a character that let the recording through: "The Luxman L-509Z never shouts, barks, or begs." He rated it Class A, with reservations about the heavy loudness contour, some remote-only controls and a tonal balance less sweet than his tube references. John Atkinson's measurements gave 140 W into 8 Ω and 225 W into 4 Ω at 1 percent THD+N, 43.7 dB of gain, 0.1 Ω output impedance and distortion below the noise floor up to 30 W. What Hi-Fi? (May 2024) scored sound, build and features 5 out of 5 on ATC SCM50 and Wilson Benesch Discovery 3Zero, called it "a superb all-round package" and noted that it needs careful partnering and sounds slightly less rich than a Moon 641 or McIntosh MA8950. Hi-Fi News awarded 88 percent, and Paul Miller's lab report measured 152 W and 255 W continuous into 8 and 4 Ω, 449 W dynamic into 2 Ω, 0.021 to 0.052 Ω output impedance and distortion steady at about 0.002 percent from 1 W to rated power.

In a system the L-509Z is the amplifier for a listener who wants one box with a real phono stage and tone controls, enough current for a 4 Ω loudspeaker and the look of Luxman's meters. We pair it with Sonus faber Olympica and Serafino, Magico A3 and A5, Bowers & Wilkins 800 Series and Linn 150 loudspeakers, with the D-07X or D-100 CENTENNIAL as digital source, an NT-07 for streaming and a PD-191A or PD-151 Mark II turntable into the built-in phono stage; the E-07 is the step up for a low-output MC. Choose the L-507Z for most of the same engineering at 110 W with the LECUA 1000 attenuator; choose the L-100 CENTENNIAL for 20 W of pure Class A; choose the L-509Z for the power, the LECUA-EX, the headphone outputs and the ability to grow into C-10X and M-10X separates through its pre-outs and main-in.

Luxman began in Osaka in June 1925 as the radio department of a picture-frame store, in the year broadcasting began in Japan, and dates its unbroken run of amplifiers from the SQ-5A integrated of 1961. The integrated amplifiers of today descend from the L-570 of the 1990s and the X generation of 2017, carry LIFES, the successor to the ODNF circuit of 1999, and are still built in Yokohama. Read the Luxman story →

Key technologies

  • LIFES 1.0, twice. Independent Luxman Integrated Feedback Engine System modules in the preamplifier and the power amplifier; only the distortion component is fed back; distortion halved and S/N up 3 dB against ODNF 4.0.
  • Fully discrete preamplifier. Op-amps and buffers of the L-509X replaced by discrete circuitry; two pre-outs and a main-in allow the sections to be used separately.
  • Four-parallel push-pull output. Three-stage Darlington bipolar output with four pairs per channel; 120 W into 8 Ω, 220 W into 4 Ω; damping factor 330; parallel speaker relays and 3.5 mm² wiring.
  • LECUA-EX attenuator. Electronically switched fixed resistors in 88 steps from 0 to 87 dB with a weighted knob driving an encoder outside the signal path; seven-segment attenuation display.
  • 600 VA EI transformer. Eight 10,000 µF filter capacitors, 40,000 µF per channel, with Toshin and Nippon Chemi-Con parts.
  • MM/MC phono stage. MM, MC high and MC low settings with two-step MC gain and a front-panel mute; 29 dB overload margin measured by Stereophile.
  • Three-band tone and line straight. Bass 100 Hz, middle 760 Hz, treble 10 kHz, each ±8 dB, with loudness and balance, all bypassed by line straight.
  • Peel-coat boards and beeline routing. Peel-coat finish on the main signal boards, curved gold traces in the power amplifier, no right-angle bends; ultra-thick aluminum top with 28 machined vents on cast-iron feet.

The L-509Z's separates equivalent is the C-10X with the M-10X; the L-507Z is the step down within the Z Series.

Finishes

  • Blasted white blasted aluminum front and sides, hairline-finished aluminum top

One finish is offered. The LED-backlit VU meters and the attenuation display can be dimmed or switched off from the remote.

Specifications
Type Integrated amplifier, Class AB, with independent preamplifier and power amplifier sections, each with LIFES 1.0
Rated output 120 W + 120 W into 8 Ω; 220 W + 220 W into 4 Ω; 2 Ω not rated by Luxman (Hi-Fi News measured 449 W dynamic)
Output stage Bipolar three-stage Darlington, four-parallel push-pull
Damping factor 330
Inputs Phono MM 2.5 mV / 47 kΩ; MC-H 0.3 mV / 100 Ω; MC-L 0.1 mV / 40 Ω; 4 × line RCA 180 mV / 47 kΩ; 2 × balanced XLR 180 mV / 79 kΩ; main in 1.1 V / 47 kΩ
Outputs 2 × pre out, 1 V; 2 × speaker pairs with independent switches; 6.3 mm and 4.4 mm balanced headphone jacks; 12 V trigger and control terminals
Gain Not published by Luxman; Stereophile measured 43.7 dB (line to speaker), Hi-Fi News 43.5 dB
Frequency response Phono 20 Hz – 20 kHz (±0.5 dB); line 20 Hz – 100 kHz (−3 dB)
Total harmonic distortion 0.007 % or less (8 Ω, 1 kHz); 0.03 % or less (8 Ω, 20 Hz – 20 kHz)
Signal-to-noise ratio (IHF-A) Line 106 dB; phono MM 87 dB; MC-H 70 dB; MC-L 62 dB
Volume control LECUA-EX, 88 steps, 0 – 87 dB
Tone controls Bass ±8 dB at 100 Hz; middle ±8 dB at 760 Hz; treble ±8 dB at 10 kHz; loudness; balance; line-straight bypass
Power supply 600 VA EI-core transformer; 8 × 10,000 µF filter capacitors
Power consumption 390 W maximum; 150 W no signal; 0.5 W standby
Dimensions (W × H × D) 17.3 × 7.6 × 18.2 in (440 × 193 × 463 mm), including knob and terminals
Weight 64.8 lb (29.4 kg)
Finish Blasted aluminum front and sides, hairline aluminum top
Supplied RA-17A aluminum remote control, power cable
Warranty Not stated on the Luxman product page; ask us for current Rhythm Audio terms
Made in Japan
Sold as Single unit

Luxman L-509Z product page and specifications

Where it sits in the range

Luxman's integrated amplifiers, ordered by price.

The separates equivalent is the C-10X and M-10X, which the L-509Z can feed through its pre-outs or main-in. Matching sources are the D-07X, D-100 CENTENNIAL, NT-07 and PD-191A; the E-07 is the external phono stage.

Reviews

Plan your Luxman system with Pearl Audio

Pearl Audio is an authorized Luxman dealer. Ask us to arrange an audition of the L-509Z in our Portland showroom beside the L-507Z and the C-10X and M-10X, with your loudspeakers in mind and a turntable on its phono stage. Call (503) 222-2599 or email sales@pearlaudio.com.

Signature technologies

The engineering behind the Luxman L-509Z Integrated Amplifier

Luxman gives its technologies names because each one solves a specific problem. Here is what each does, where it came from, why it matters in a system, and what you may hear.

Feed back only the distortionSince 2021

LIFES

LIFES, the Luxman Integrated Feedback Engine System, is the amplifier circuit in every current Luxman amplifier. It descends from ODNF, which fed back only the distortion rather than the whole signal, and rebuilds that idea as a fully discrete error-detection circuit with about half the distortion of ODNF 4.0 and a 3 dB better signal-to-noise ratio. Read the deep diveClose

What it does

LIFES descends from ODNF, Only Distortion Negative Feedback, which Luxman first used in the CM-2100 car amplifier of 1999 and developed through ODNF 2.4 in the C-1000f of 2006, ODNF 4.0 in the C-900u and M-900u of 2013 and ODNF-u in the D-10X of 2020. Conventional negative feedback returns a slice of the output to the input, music included; ODNF compared input and output, extracted only the difference, the distortion, and fed back just that, so the main signal path behaved more like a feedback-free amplifier. LIFES keeps the idea and rebuilds the error-detection circuit as a fully discrete design, conceived, in Luxman's words, from first principles using simulation technology, with a new input FET, new voltage regulation and better thermal stability. Luxman claims roughly half the distortion of ODNF 4.0 and a 3 dB improvement in signal-to-noise ratio. LIFES 1.0 shipped first in the M-10X power amplifier, in Japan in 2021 and in the US in February 2022, then in the L-507Z, L-509Z, C-10X and L-505Z. LIFES 1.1 of 2025 parallels the input FETs of the error-detection stage; Phile-web measured the L-100's distortion at 0.002 percent at 1 kHz against 0.003 percent for the previous circuit.

Why it matters in a system

Feedback that carries the whole signal around the loop can trade clarity for a low distortion figure; feeding back only the error lets Luxman keep distortion and noise low while tuning the amplifier for its sound. Masakazu Nagatsuma, Luxman's head of development, said LIFES reduced distortion and improved signal-to-noise and gave the company more freedom in sound tuning. It is also why the Z-series integrateds, the C-10X and the M-10X share one character.

What you may hear

Quiet backgrounds and low distortion that John Atkinson confirmed on Stereophile's bench, where the L-509Z offered, in his words, excellent measured performance, especially its low-noise, low-distortion. Ken Micallef, listening to the same amplifier, called it an amp of brilliant purity and fluid communication.

A volume control with nothing to wearSince 2006

LECUA volume control

LECUA, the Luxman Electronically Controlled Ultimate Attenuator, replaces the potentiometer with a bank of fixed resistors switched electronically in 88 steps and merged with the amplifier circuit, so the volume control cannot wear, ignores vibration and sounds the same at every level. LECUA-EX adds a weighted encoder that is off the signal path entirely. Read the deep diveClose

What it does

In place of a mechanical potentiometer in the signal path, LECUA is a bank of fixed resistors switched electronically in 88 steps and merged with the amplifier circuit, so the volume control cannot wear, is immune to vibration and presents the same circuit to the signal at every level. The idea goes back to the C-10 preamplifier of 1996, whose Ultimate Attenuator used fixed-resistor switching; LECUA1000 replaced the switching with electronic control and was introduced in the C-1000f control amplifier of 2006 for Luxman's 80th anniversary. New LECUA1000, with 88 steps, arrived in the C-900u of 2013. LECUA-EX, introduced with the L-509Z in 2022 and the C-10X in 2023, adds a precise rotary encoder with a weighted rotation mechanism, so the knob turns like a conventional control while the encoder is, on the C-10X, entirely disconnected from the audio signal path; the C-10X offers 192 steps of 0.5 dB over 0 to 95.5 dB, the L-509Z 88 steps over 0 to 87 dB. The L-100, L-507Z and L-505Z use LECUA1000. A transformer version, LECUTA, is used in the CL-1000 tube preamplifier, and the LX-380 was the first tube amplifier with LECUA.

Why it matters in a system

The volume control sits in the signal path of everything you play, and a potentiometer's wiper is the one contact in an amplifier that moves. A resistor ladder switched electronically has no wiper to wear, no track to pick up vibration, and no change of frequency response or channel balance between quiet and loud listening, which is why Luxman has kept the design for twenty years and extended it through four generations.

What you may hear

Luxman's claim for LECUA-EX, as StereoNET reported it, is smoother and more precise volume control than ever before. What Hi-Fi? summed up the L-509Z's presentation as precision, clarity and balance; Ken Micallef in Stereophile heard clarity, balance, coherence, seamlessness, quietude, and a certain invisibility.

The housekeeping behind the soundSince 2017

Loop-less chassis, Beeline routing and peel-coat boards

Every Luxman amplifier shares a set of practices beneath the circuit: a chassis grounded so no loops form between panels, the shortest possible signal routing with curved traces, boards with the solder mask peeled from the signal area, oxygen-free copper wiring, oversized power supplies and cast-iron feet. They are built in Yokohama. Read the deep diveClose

What it does

Beneath the circuits, every Luxman amplifier and player shares a set of mechanical and electrical practices. The chassis is loop-less: panels and boards are grounded so that no ground loop forms between them, and the C-10X goes further with 100-micron gold-plated boards. Signal routing follows what Luxman calls the Beeline layout, the shortest path between stages, with curved rather than angled traces. On the L-507Z, L-509Z, L-100 and C-10X the printed boards are peel-coat types: the solder mask is removed from the signal area because, Luxman says, it can have a smearing effect on audio signals. Internal wiring is oxygen-free copper. Power supplies are oversized, with a 600 VA EI transformer and eight 10,000 µF capacitors in the L-509Z, a 1,250 VA transformer with flat copper windings in the M-10X, and a CI-core transformer in the C-10X. The units stand on density-gradient cast-iron insulator feet. Stereophile credited the L-509Z's design to three engineers: Masakazu Nagatsuma for its tonal qualities, Kunihiko Koki for the electronics and Takeharu Sato for the mechanicals. Luxman still manufactures in Yokohama, and each L-100 is built by hand by a team of four specialists.

Why it matters in a system

None of these details is a headline technology, and together they are much of why a Luxman sounds like a Luxman. Ground loops, long traces and resonant panels add noise and hash below the level of the specifications; removing them is what lets the low distortion of LIFES and the silence of LECUA reach the loudspeaker. It is also why the amplifiers weigh what they do: the L-509Z is 29.4 kg, the M-10X 48.4 kg.

What you may hear

Ken Micallef in Stereophile: the Luxman L-509Z never shouts, barks, or begs. Chris Kelly in Hi-Fi+ found its voicing perfectly judged, with incredible detail retrieval and no loss of musicality, and The Ear called it the yardstick by which future visiting amplifiers would be measured.

Moving coil through iron, not siliconSince 2008

Phono stages: super-permalloy transformers and the Articulator

Luxman's phono stages raise moving-coil signals through built-in step-up transformers with super-permalloy cores and begin with a paralleled-FET first stage. The E-250 is the half-width model; the E-07 of 2025 is the flagship, with four transformers, a front-panel load selector and balanced input and output. Both carry the Articulator, which demagnetizes the cartridge and transformers with the music signal. Read the deep diveClose

What it does

Luxman's solid-state phono stages amplify moving-coil cartridges through built-in step-up transformers with super-permalloy cores rather than active gain alone, and begin with a paralleled-FET first stage. The E-250, successor to the E-200 of 2008, is a half-width unit with 38 dB of gain for moving magnet and 57 and 66 dB for high- and low-output moving coil through a two-stage transformer, four MM load resistances and four capacitances, two inputs with the cartridge type set per input, a low-cut filter, a mono switch and RIAA accuracy of ±0.3 dB. The E-07 of February 2025 is the flagship: a non-feedback RIAA circuit with four parallel FETs, four super-permalloy transformers (left and right, high and low impedance), a six-position MC load selector on the front panel from 4.7 ohms to 1 kilohm, one balanced and two single-ended inputs, balanced and single-ended outputs with phase inversion, three power transformers, 3.6 mm copper base plates and a petal-shaped grounding structure Luxman calls PGS, at 13.2 kg. Both carry the Articulator, which demagnetizes the cartridge and transformers using the music signal itself. The L-509Z, L-507Z, L-505Z and L-100 integrateds have MM/MC stages built in, the L-509Z with two MC gain steps.

Why it matters in a system

A moving-coil cartridge delivers a few hundred microvolts, and the first stage that receives it sets the noise floor of the whole record-playing system. A transformer raises that signal with no active devices and no added noise before any amplification happens, which is why Luxman has stayed with the approach; the loading selector and per-input settings mean one phono stage can serve two turntables or two arms.

What you may hear

John Atkinson called the E-07 one of the best-measuring phono preamplifiers he had encountered, and Herb Reichert, in the same Stereophile review, an heirloom-quality product that should please the most discriminating phonophiles. Michael Fremer's advice at Tracking Angle: don't buy until you get a chance to hear the Luxman E-07.

All Luxman technologies and the company story

The Luxman story

Founded in Osaka in 1925 and built in Yokohama today: Class A, LIFES, LECUA and belt-drive turntables.

Founded 1925 in Osaka, Japan; headquartered and built in Yokohama, Kanagawa by T. Hayakawa and K. Yoshikawa · luxman.com

Milestones

  1. 1925 Founded in Osaka In June, the year radio broadcasting begins in Japan, T. Hayakawa and K. Yoshikawa start a radio department at the Kinsuido picture-frame store and incorporate it as Lux Corporation. The LUX-1730 and LUX-735 radios follow in 1928.
  2. 1958 MA-7A Luxman's first fully assembled post-war hi-fi power amplifier, a mono tube design with a patented NFB cross-over circuit, built on the OY output transformers developed in 1952.
  3. 1961 SQ-5A A vacuum-tube integrated with a center level meter and Luxman's own tone-control circuit. The company dates its unbroken run of tube amplifiers from it; the SQ-38 of 1964 follows.
  4. 1966 MQ-36 OTL An output-transformer-less tube power amplifier that stays in production until 1978. The MQ-60 of 1969 and CL-35 of 1970 are the models today's MQ-88uC and CL-38uC honor.
  5. 1975 Fiftieth anniversary: M-6000 A 300-watt stereo amplifier with the C-1000 preamplifier and T-110 tuner. The M-series amplifiers are designed by Tim de Paravicini; the Laboratory Reference Series follows in 1977.
  6. 1980 PD-300 A turntable with a vacuum disc stabilizer, a first for vacuum hold-down. Luxman stops building turntables after the PD-350 and does not return to them for 28 years.
  7. 1984 Alpine Electronics Alpine acquires the Luxman brand; Atsushi Miura leaves to found A&M and Air Tight in 1986. Co-badged products sold through mass retailers cost the brand its high-end dealers. Alpine sells in 1994.
  8. 1996 C-10 and B-10 Flagship separates that hold the top of the line for about ten years. The C-10's fixed-resistor Ultimate Attenuator is the ancestor of LECUA.Luxman C-10X Control Amplifier
  9. 1999 ODNF The CM-2100 car amplifier is the first product with Only Distortion Negative Feedback, which feeds back the distortion rather than the whole signal. Versions 2.4 (2006) and 4.0 (2013) follow.
  10. 2007 Eightieth anniversary; back in the US The B-1000f monoblocks (2005) and C-1000f control amplifier (2006) introduce LECUA1000 and ODNF 2.4. On a Higher Note returns Luxman to the United States after roughly two decades away.
  11. 2009 International Audio Group Luxman joins IAG, which keeps it separate from its other brands and leaves design and manufacturing in Kanagawa. The eleventh-generation SQ-38u launches the same year.
  12. 2011 PD-171 Turntable development resumes 28 years after the PD-350, with a belt-drive design that leads to the PD-151 (2019), the PD-191A and the PD-151 Mk II.Luxman PD-191A
  13. 2020 D-10X The world premiere of ROHM's MUS-IC BD34301EKV converter, run one per channel, with the LxDTM-i transport. The D-07X of 2023 uses the same chip and mechanism.Luxman D-07x SACD / DAC
  14. 2022 LIFES in the M-10X The successor to ODNF ships first in the flagship stereo power amplifier, then in the L-507Z, L-509Z, C-10X and L-505Z.Luxman M-10x Stereo Amplifier
  15. 2025 Centennial The E-07 phono stage, Black Edition CENTENNIAL models, the D-03R, and the L-100 and D-100 CENTENNIAL on LIFES 1.1. Rhythm Audio becomes the North American distributor in February; Luxman enters the Hi-Fi Hall of Fame in May.Luxman L-100 Class A Integrated
  16. 2026 Component of the Year Stereophile names the L-100 CENTENNIAL Joint Amplification Component of the Year and puts it on its October cover. The D-100 CENTENNIAL ships worldwide in April and the B-100 CENTENNIAL mono amplifier in September.Luxman D-100 SACD/DAC
Read the Luxman story
Luxman L-509Z integrated amplifier, front view

Luxman began in June 1925 as the radio-equipment department of Kinsuido, a painting and picture-frame dealer in Osaka, in the year radio broadcasting began in Japan. T. Hayakawa and his brother K. Yoshikawa incorporated the business as Lux Corporation; by the company's own account Kinsuido was the first in Japan to display and sell radio receivers in a store, and its radio manual, the first Japanese radio guidebook, ran to fourteen editions. The first products followed in 1928, the LUX-1730 and LUX-735 hi-fi radios sold with a magnetic-horn speaker, and in 1931 a magnetic pickup for the LUX-1730 electric phonograph. Through the 1930s the firm built its reputation on the parts it made itself, transformers and switches, and in 1952 it developed the OY-type output transformers that collectors still seek out and that Luxman's tube amplifiers carry in descendant form today.

The MA-7A of 1958, a mono vacuum-tube power amplifier with a patented NFB cross-over circuit, was Luxman's first fully assembled post-war hi-fi amplifier. The SQ-5A integrated of 1961, with its center-mounted level meter and Luxman's own tone-control circuit, was a hit, and the company dates its unbroken run of tube amplifiers from it. The SQ-65 of 1962 carried a motional-feedback patent, and the PZ-11 of the same year was Japan's first germanium-transistor phono equalizer. The SQ-38 of 1964 became a fixture of Japanese jazz cafés and began a series that reached its twelfth generation in the LX-380. The MQ-36 of 1966, an output-transformer-less tube amplifier, stayed in production until 1978; the SQ-505 and SQ-507 of 1968 preceded the 500 series; and the MQ-60 power amplifier of 1969 and CL-35 preamplifier of 1970 are the models the current MQ-88uC and CL-38uC are built to honor. By The Absolute Sound's account Luxman was the only major Japanese manufacturer still producing tube amplifiers through the 1970s and 1980s.

LUX Kit, a do-it-yourself brand, sold about seventy products between 1971 and 1980. For the fiftieth anniversary in 1975 Luxman introduced the 300-watt M-6000 stereo amplifier, the C-1000 preamplifier and the T-110 tuner; the M-3000, M-4000 and M-6000 were designed by Tim de Paravicini, whom Luxman employed for amplifier design. The Laboratory Reference Series of 1977 included a DC amplifier, and the PD-300 turntable of 1980 held the record down with a vacuum, a first. Atsushi Miura, who had married the eldest daughter of co-founder Yoshikawa and joined the company in 1956, was running it by the early 1980s. In 1984 Alpine Electronics acquired the Luxman brand; Miura and designer Masami Ishiguro founded A&M Limited in 1986, creating Air Tight. Under Alpine the products were co-badged Alpine/Luxman and sold through mass retailers such as Costco in the US; Stereophile later wrote that high-end dealers dropped the line because of the confusion, and Hi-Fi News that the fit was never an easy one. The engineering went on: the Fluency DA-07 converter and DP-07 transport of 1987, built on a University of Tsukuba professor's function-complementation theory, and the top-loading D-500X CD player of 1990 with a Philips CDM-3 mechanism.

Alpine sold the brand in 1994. The ownership that followed is not well documented, and the present Luxman Corporation was formed from the old Lux Corporation around 2000; what the company built in those years is clearer. The SQ-38s marked the seventieth anniversary in 1995. The C-10 preamplifier and B-10 power amplifier of 1996 remained the flagships for about ten years, and the C-10's Ultimate Attenuator, a fixed-resistor volume control, is the ancestor of LECUA. In 1999 the CM-2100 car amplifier became the first product with ODNF, the feedback circuit that fed back only the distortion. The DU-10 universal SACD player arrived in 2001, and the CL-88 and MQ-88 of 2004 were the first tube separates in eleven years. For the eightieth anniversary the B-1000f monoblocks of 2005, more than thirteen years in development, and the C-1000f control amplifier of 2006, at ¥2,100,000, introduced LECUA1000 and ODNF 2.4. In 2007 Philip O'Hanlon's On a Higher Note brought Luxman back to the United States after roughly two decades away, with the C-1000f at $30,000 and the B-1000f at $48,000 each; what struck O'Hanlon was that the technology really did trickle down to more realistically priced models.

In 2009 Luxman became part of the International Audio Group, which kept it separate from its British brands, Quad and Wharfedale among them, and left design and manufacturing in Kanagawa. The SQ-38u, eleventh of its line, launched the same year. The PD-171 of 2011 revived turntable development 28 years after the PD-350; the P-700u headphone amplifier followed in 2012, and the C-900u and M-900u of 2013, at ¥1,155,000 each, brought ODNF 4.0 and New LECUA1000. The MQ-300 of 2015, with two Japanese-made 300B tubes, marked the ninetieth anniversary. The X generation renewed the integrateds, the L-505uXII and L-507uXII in November 2017 and the L-509X in January 2018, and the CL-38uC and MQ-88uC tube separates of April 2018 reproduced the OY15 output transformers in their original shape. The PD-151 turntable arrived in February 2019 and the CL-1000 tube preamplifier in January 2020. In July 2020 the D-10X gave the world premiere of ROHM's MUS-IC BD34301EKV converter, run as a pair in dual mono, and the same year the L-595A LIMITED reissued the 1990s L-570 Class A design in 300 units each for Japan and overseas.

LIFES, the successor to ODNF, shipped first in the M-10X power amplifier, announced in the US in January 2022 at $19,995, then in the L-507Z of August 2022, the L-509Z that December, and the C-10X of November 2023, the first new flagship preamplifier in ten years. The D-07X SACD player arrived in February 2023 and the PD-191A turntable, with the SAEC-developed LTA-710 arm, reached the US that April; the NT-07 network transport and L-505Z followed in 2024. The centennial year of 2025 brought the E-07 phono stage, Black Edition CENTENNIAL versions of four models, the D-03R, and the L-100 and D-100 CENTENNIAL, the first pure Class A integrated and the first disc player built on LIFES 1.1. In February 2025 Rhythm Audio of Upland, California took over distribution for the United States and Canada, and in May Luxman was inducted into the Hi-Fi Hall of Fame. The B-100 CENTENNIAL mono amplifier followed in September 2026, and in October Stereophile put the L-100 on its cover and named it Joint Amplification Component of the Year. Luxman is headquartered and still manufactures in Yokohama under president Tatsuya Sueyoshi, and each L-100 is built by hand by a team of four.

The complete Luxman story and technology library

Luxman at Pearl Audio

Pearl Audio is an authorized Luxman dealer in Portland. We carry the full line, from the L-505Z, L-507Z, L-509Z and L-100 CENTENNIAL integrateds and the C-10X and M-10X separates to the PD-151 Mk II and PD-191A turntables, the E-250 and E-07 phono stages, the D-03R, D-07X and D-100 CENTENNIAL players and the NT-07 network transport. We match Luxman amplification to loudspeakers in our rooms and yours, set up the turntables and arms, fit and align cartridges, and configure the D-series players and NT-07 as a system. Delivery and in-home setup are part of how we sell Luxman, and service runs through Rhythm Audio, Luxman's distributor for the United States and Canada.

The Pearl Audio experience

How we work with you

A system at this level should be heard, thoughtfully matched, and properly set up. From the first audition to long-term ownership, you work with the same people, in person.

  1. 01

    Listen first

    Hear the L-509Z Integrated Amplifier by appointment in one of our two purpose-designed demonstration rooms, with your own music and time to compare without pressure.

  2. 02

    Delivery and installation

    We deliver and install throughout the Portland area, taking care of placement, connections, ventilation and system configuration ourselves.

  3. 03

    Support for as long as you own it

    We support everything we sell for as long as you own it, whether the answer comes by phone, in your home, or through factory service.

  4. 04

    A path for what comes next

    Trade-in assistance and qualifying 100% Trade-Up options give you flexibility when your listening priorities or your system change.

Search